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Ding Dong

Legend of Dance

1980sJamaican

Why They Matter

Ding Dong matters because he treats dance creation, music production, crew organization and public circulation as interdependent work. His career makes visible how a dancehall step can be authored locally, named through a song, embodied by a crew and transmitted internationally. His strongest…

Known For

Dance

Watch

Fling Yuh Shoulda

Ding Dong Ravers

Primary audiovisual record of the song-and-step method and Ravers ensemble presentation

Dweet [Genna Bounce] / Flairy ft. Bravo

Ding Dong Ravers

Documents collaboration with Bravo Ravers and the coupling of named steps to recordings

BOUNCE

Ding Dong Ravers

Shows the later continuation of movement-first video authorship

Bad Man Forward — Ding Dong

Foundational example of a named dance cue becoming a recording; confirm clean edit and movement attribution before use

Biography

Kemar Christopher Dwaine Ottey, known professionally as Ding Dong, is a Jamaican dancer, dance creator, crew leader, recording artist and songwriter who reshaped how dancers and their authorship function within dancehall culture. Born in Kingston in 1980 and raised in Nannyville, east Kingston, Ottey grew up immersed in dance and football before committing to movement as his primary work. In the early 2000s he participated in Kingston's street-dance ecosystem, including the Flatbush crew, before founding Ravers Clavers in 2003—a group that became both a performing unit and a collective workshop where dancers generated, refined and circulated steps.

Ottey's breakthrough as a recording artist came through Bad Man Forward / Bad Man Pull Up, released in the 2005–06 period. This record established his durable creative method: a song provides a repeatable verbal cue, while dancers supply a concise physical phrase that can travel through sessions, videos and social participation. He subsequently linked releases including Fling, Flairy, Dweet (Genna Bounce) and Bounce to movement vocabularies, each title anchoring a specific step for circulation and social uptake.

Beyond his releases, Ottey worked to change the economic and symbolic position of the dancer within dancehall. In a 2014 interview he spoke directly about the limited earnings available to dancers even when their ideas drive dancehall visibility. A 2024 Jamaica Gleaner profile described his influence as extending to community building, fashion, corporate partnerships and advocacy around dancers' rights. His work demonstrates how dance creation, music production, crew organization and public circulation operate as interdependent systems rather than separate domains.

In 2025 Ottey released his debut studio album, From Ding Dong to World Ding, nearly two decades after his first hit. The album formalized the arc from community dancer and crew leader to recording artist with an international-facing catalogue, while continuing to foreground dance in titles, videos and performance.

Career Highlights

2000

Joined the Flatbush dance crew during his early development in Kingston's street-dance scene. Reggaeville biography

2003

Founded Ravers Clavers in Nannyville, establishing the crew that became his principal dance platform. Reggae Vibes

2005–2006

Broke through with Bad Man Forward / Bad Man Pull Up, linking a recorded dancehall single to a named movement. VP Records YouTube release

2014

Publicly discussed dancers' visibility, working conditions and the relationship between dance and recording income in the Jamaica Observer. Jamaica Observer

2017

Released Fling, whose official video centered the Ravers' movement vocabulary. official video

2017

Released Dweet (Genna Bounce) with Bravo Ravers, extending his song-and-step model. official video

2018

Appeared with Ravers Clavers in a BBC Radio 1Xtra Jamaica segment teaching dancehall movement. BBC 1Xtra search record

2022

Released Bounce, another movement-led official video from the Ding Dong Ravers channel. official video

2024

Profiled by the Jamaica Gleaner for influence spanning dance, community building, fashion and advocacy for dancers. Jamaica Gleaner

2025

Released the 13-track debut album From Ding Dong to World Ding on 2 May. Apple Music

Legacy & Impact

Ding Dong matters because he treats dance creation, music production and crew organization as interdependent work. His career makes visible how a dancehall step can be authored locally, named through a song, embodied by a crew and transmitted internationally. His strongest legacy is sustained leadership in a movement-centered creative ecology and persistent advocacy for recognizing dancers as makers—demonstrating that a choreographic idea's reach depends on the visibility and economic recognition of the people who embody and teach it.

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