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Choreographer

Jeanette Kotowich

Choreographer

1990s

Why They Matter

Kotowich's work matters to dancers and communities seeking decolonial frameworks and Indigenous-centered artistic practice. Her integration of Métis and Nêhiyaw cosmology, land-based research, and social-dance concepts offers a model of contemporary choreography rooted in cultural sovereignty and…

Known For

Indigenous dance artistFacilitatorChoreographer

Biography

Jeanette Kotowich is an Indigenous dance artist, choreographer, and cultural knowledge carrier whose practice weaves together Nêhiyaw and Métis cosmology, land-based research, and decolonial artistic frameworks. She began formal studio dance at age eight, growing up in a dancing family that would profoundly shape her artistic voice. Today, Kotowich works as an Artistic Associate and collaborator at Raven Spirit Dance, collaborates with Lara Kramer Danse, and facilitates experiential movement and decolonial-arts workshops. Her choreographic work draws from compassion, sovereignty, the natural and Spirit worlds, Métis social-dance concepts, and dance as medicine. Through her practice, Kotowich engages land-based research and Indigenous futurism as generative creative forces. Her work *Kisiskâciwan* exemplifies her commitment to articulating the relationships between family, history, heritage, and ancestors through movement. As a dance and cultural knowledge carrier, Kotowich's artistic vision is grounded in relational, cultural, and land-connected contemporary practice.

Legacy & Impact

Kotowich's work matters to dancers and communities seeking decolonial frameworks and Indigenous-centered artistic practice. Her integration of Métis and Nêhiyaw cosmology, land-based research, and social-dance concepts offers a model of contemporary choreography rooted in cultural sovereignty and spiritual connection. For dancers and facilitators, her approach to movement as medicine and her decolonial workshop practice demonstrate how dance can serve healing, knowledge transmission, and the assertion of Indigenous futurism.

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