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Julie Gautier

Legend of Dance

1970sFrench. Fondation Jacques Rougerie

Why They Matter

Gautier expands dance-on-camera by making the camera operator part of the same breath-bound environment as the performer. Her films show that underwater choreography is not simply slowed terrestrial dance: buoyancy, pressure, limited breath, three-dimensional travel, and environmental stewardship…

Known For

Dance

Biography

Julie Gautier is a French underwater storyteller who uses freediving to choreograph and film human movement in the ocean without conventional scuba apparatus. Born on Réunion Island on 19 November 1979, she grew up in a family shaped by both dance and the sea. She learned dance before pursuing freediving, eventually setting two French records in constant-weight apnea. The discipline gave her breath control, pressure awareness, and underwater mobility that later became tools for filmmaking rather than competitive ends in themselves.

After leaving elite competition, Gautier taught herself underwater cinematography. She often works on a single breath, allowing her body and camera to move with a freediving performer without bubbles, heavy equipment, or an operator detached from the physical environment. That method makes filming itself a partnered movement practice. Her early film *Free Fall* (2010), featuring freediver Guillaume Néry descending into Dean's Blue Hole, became an international online success. *Narcose* (2013) explored the altered perceptions associated with deep diving. Gautier later directed underwater material for Beyoncé's "Runnin' (Lose It All)" in 2015, bringing her visual language to a global music-video audience.

In *Ama* (2018), Gautier moved in front of the camera as dancer and performer. Made for International Women's Day and choreographed with Ophélie Longuet, the solo uses a flooded interior, shifting buoyancy, and controlled breath to express pressure, suspension, collapse, and resistance. Gautier and Néry continued the oceanic film practice with *One Breath Around the World* (2019), filmed across multiple submerged environments. Her broader work joins art, environmental attention, and embodied knowledge. Rather than treating underwater movement as a novelty effect, she has developed a repeatable cinematic language grounded in the physics and ethics of entering another environment.

Career Highlights

2000s

Set two French freediving records in constant weight before shifting from competition to creation. Official site Official site

2010

Directed and filmed Free Fall with freediver Guillaume Néry at Dean's Blue Hole. Official site Official site

2013

Directed Narcose, exploring deep-diving perception through underwater cinema. Official site Official site

2015

Directed underwater imagery for Naughty Boy and Beyoncé's “Runnin' (Lose It All).” Official site Official site

2018

Released Ama, performing an underwater dance choreographed with Ophélie Longuet. Official video Official video

2018

Published a making-of film documenting Ama's collaborative production and safety context. Official making-of Official making-of

2019

Co-created and filmed One Breath Around the World across international underwater locations. National Geographic National Geographic

2022

Presented Narcose, Ama, One Breath Around the World, and Narcisse in a Columbia University film program. Columbia Spectator Columbia Spectator

2022

Received the Sea Art Grand Prix recognition documented by the Fondation Jacques Rougerie. Fondation Jacques Rougerie Fondation Jacques Rougerie

Legacy & Impact

Gautier expands dance-on-camera by making the camera operator part of the same breath-bound environment as the performer. Her films show that underwater choreography is not simply slowed terrestrial dance: buoyancy, pressure, limited breath, three-dimensional travel, and environmental stewardship fundamentally alter movement and production. For dancers and filmmakers, she demonstrates how the medium itself—the ocean's forces and constraints—becomes a choreographic partner.

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