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Maxim Kozhevnikov

Competitive Champion · Popularizer · Performer

Maxim Kozhevnikov

US National Latin Champion & Television Star

ContemporaryUnited States

Why They Matter

He helped normalize competitive DanceSport for mainstream American audiences while maintaining elite-level technique, showing that professional dance could be both artistic and entertaining.

Known For

US National Professional Latin ChampionDancing with the Stars professionalTelevision dance personality
LatinCompetition Dance

Biography

Maxim Kozhevnikov is a Russian Latin dancer, choreographer, and judge whose career spans competitive dance, theatrical showdance, and teaching across multiple continents. Born in Nizhny Novgorod, he grew up attending a school for visually impaired children and initially pursued singing before turning to dance. He built his early career as both competitor and teacher in Russia, representing his country in the WDSF Adult Latin system through partnerships with Kristina Maximova (1999–2000) and Irina Naumova (2000–2006).

Kozhevnikov transitioned into the international professional Latin circuit in the early 2000s, becoming especially known for showdance—choreographed theatrical works that expand beyond conventional five-dance competition formats. His official biography documents a series of world and professional showdance titles throughout this period. The most securely documented of his mainstream professional achievements came in 2007, when he and Yulia Zagoruychenko won the United States National Professional Latin championship. Their partnership produced widely circulated exhibition and showdance works that brought narrative and character-driven choreography to competitive Latin vocabulary.

In 2011, Kozhevnikov began a creative and personal partnership with Anastasia Grigoreva, marking a return to sport dance through new performance projects and additional showdance collaborations. From that point forward, his activity broadened substantially to include choreography, judging, international workshops, screen and stage projects, and collaborations with Russian dance organizations. He continues to work as a performer, choreographer, lecturer, and adjudicator on the international circuit.

Career Highlights

1975

Specialist biographies give May 31 in Nizhny Novgorod as his birth date and place; this remains flagged for primary verification. Patch

1999–2000

WDSF records a Russian Adult partnership with Kristina Maximova. WDSF couple record

2000–2006

Competed in WDSF Adult Latin with Irina Naumova, representing Russia. WDSF couple record

2002

His official biography describes a “Grand Finalist” season across major professional events; exact placements require result-book confirmation. official biography

2003 onward

Began accumulating U.S. and world professional Latin showdance titles with multiple partners, according to his official career summary. official biography

2007

With Yulia Zagoruychenko, won the U.S. National Professional Latin championship. NDCA

2011

Formed a creative and personal partnership with Anastasia Grigoreva and returned to competitive/performance projects. official biography

2010s–2020s

Continued internationally as a performer, choreographer, organizer, teacher, lecturer, and judge, while also participating in screen and stage projects. official biography

Gallery

Ornate interior of the Blackpool Tower Ballroom
Latin dancers at the 2006 MIT Open Ballroom Dance Competition
Context image: the Blackpool Tower Ballroom, one of the major international venues referenced in biographies of Kozhevnikov's finalist career. Kozhevnikov is not pictured. Photo: Michael D Beckwith / Wikimedia Commons. CC BY 2.0 · source
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Legacy & Impact

Kozhevnikov's enduring contribution lies in demonstrating that Latin showdance can function as authored theatrical form while maintaining credibility within conventional professional competition. His 2007 U.S. National championship with Zagoruychenko anchors that legacy in verifiable achievement, while later projects with Grigoreva illustrate how narrative, character, costume, and dramatic arc reshape competitive vocabulary for the stage. His work as teacher and adjudicator has also made his adaptive artistic path a model for dancers and choreographers developing individual voices within Latin dance.

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