Sasha Waltz
Legend of Dance
Why They Matter
Through Sasha Waltz & Guests and the co-founding of Sophiensæle and Radialsystem, Waltz has joined choreography to institution-building in Berlin. Her official biography presents a continuing practice of collaboration among dance, music, visual art, and architecture. Sasha Waltz & Guests
Known For
Biography
Sasha Waltz is a German choreographer, dancer, and director born in 1963 in Karlsruhe, known for creating interdisciplinary works that integrate dance, music, visual art, and architectural space. After studying in Amsterdam and New York, Waltz founded Sasha Waltz & Guests in 1993 with Jochen Sandig, establishing a creative partnership that would define her practice for decades. Beyond choreography, she has been a builder of institutions: she co-founded Berlin's Sophiensæle in 1996 and Radialsystem in 2006, and served as part of the artistic direction of the Schaubühne am Lehniner Platz from 1999 to 2004.
Waltz's artistic vision emerged through works like the *Travelogue* trilogy (1993–1995) and *Körper* (2000), which traced her evolving approach to the relationship between bodies, space, and performance. She became known for choreographic opera—a form in which dancers are woven into the musical and dramatic fabric rather than existing as a separate layer. *Dido & Aeneas* (2005) exemplified this practice and was followed by *Medea* (2007), *Romeo et Juliette* (2007), *Tannhäuser* (2014), and *Orfeo* (2014).
In recent years, Waltz has expanded into music-centered ensemble works, creating *In C* (2021), *SYM-PHONIE MMXX* (2022), *Beethoven 7* (2023), and *St John Passion* (2024). Her method treats choreography as an interdisciplinary system where ensemble bodies are organized in relation to musical structures, sung text, visual design, and the specific architecture of the performance site. She remains active as choreographer, dancer, and director, with works scheduled through 2026.
Legacy & Impact
Waltz's significance lies in her long practice of joining choreography to institution-building and in her consistent demonstration that dance can be a co-equal partner with music, visual art, and architecture rather than a supporting element. Through Sasha Waltz & Guests and the venues she co-founded, she has shaped how contemporary dance integrates with other disciplines and how ensemble work can be organized around musical and spatial structures. Her model of choreographic opera and collaborative creation continues to influence how dancers and choreographers approach interdisciplinary performance.
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