Can You Bring It: Bill T. Jones and D-Man in the Waters (2020) poster

Dance in Film · 2020

Can You Bring It: Bill T. Jones and D-Man in the Waters (2020)

Rosalynde LeBlanc and Tom Hurwitz use one repertory work as an embodied history of the AIDS crisis, moving between the Bill T. Jones/Arnie Zane Company's 1989 creation and young dancers reconstructing its running, diving, lifting, and survival-driven ensemble language today.

Can You Bring It: Bill T. Jones and D-Man in the Waters is a 2020 dance documentary centred on ballroom and social dance. For dancers, it's a chance to see the style performed on screen — the phrasing, partnering, and musicality that the same dances carry onto a real floor.

Jump to the 3 indexed dance sequences

Where to watch: Free with ads on Tubi in the United States; Kanopy and Hoopla library streaming and rent/buy listings on Amazon Video, Apple TV Store, and Fandango At Home were also verified on 2026-08-09. Availability may change by service and library.

Trailer

Official trailer.

The dance sequences in Can You Bring It: Bill T. Jones and D-Man in the Waters

3 sequences — what is danced, by whom, and where to find it.

  1. Jones asks the students to find the AIDS-era stakes

    Contemporary dance

    Danced by Bill T. Jones; Loyola Marymount University student dancers · Choreography Bill T. Jones

    He explains the fear, confusion, and grief of the AIDS crisis, then challenges the students to find an equivalent visceral connection in their own lives.

    Jones’s intervention connects performance quality to lived emotional understanding and shows choreography being transmitted across generations.

    Stream or rental only — the timestamp is for when you have it playing. No edition-specific timestamp supplied. Peabody and LMU link paid Amazon access; subscription versus rental terms can vary.

  2. Jones recalls carrying Demian Acquavella onto the Joyce stage

    Contemporary dance

    Danced by Bill T. Jones; Demian Acquavella · Choreography Bill T. Jones

    Jones remembers carrying Acquavella, the titular D-Man, into the 1989 Joyce Theater premiere because his friend had to be part of it.

    The recollection makes the premiere’s communal care inseparable from the physical act of getting the ailing dancer onto the stage.

    Stream or rental only — the timestamp is for when you have it playing. No edition-specific timestamp supplied. Peabody and LMU link paid Amazon access; subscription versus rental terms can vary.

  3. Young dancers reconstruct D-Man in the Waters

    Contemporary dance

    Danced by Loyola Marymount University student dancers · Choreography Bill T. Jones

    The students physically take on the work while discovering how fear, grief, anger, and hope were embedded in it.

    The reconstruction makes choreography the vehicle for learning an AIDS-era history the young dancers did not live through.

    Stream or rental only — the timestamp is for when you have it playing. No edition-specific timestamp supplied. Peabody and LMU link paid Amazon access; subscription versus rental terms can vary.

Poster artwork from TMDB.

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