Dance in Film · 2007
Planet B-Boy (2007)
Battle of the Year teams from several countries make this a strong backbone for move, crew and round-level breaking indexes.
Planet B-Boy is a 2007 dance documentary centred on ballroom and social dance. For dancers, it's a chance to see the style performed on screen — the phrasing, partnering, and musicality that the same dances carry onto a real floor.
Jump to the 4 indexed dance sequences ↓
Where to watch: Streaming, rental, and educational availability varies by territory
Trailer
Official trailer.
The dance sequences in Planet B-Boy
4 sequences — what is danced, by whom, and where to find it.
Gamblerz divided-Korea showcase
Breaking (B-Boying / B-Girling)Danced by Gamblerz
Dancers representing North and South Korea joining in white as an image of hoped-for reunification.
The routine uses opposing movement qualities and costume groups to turn crew breaking into a compact political narrative, then resolves its conflict through synchronized unity.
Stream or rental only — the timestamp is for when you have it playing. The opened San Francisco Chronicle review, republished by the Star Tribune, describes this exact Gamblerz routine and its staging inside Planet B-Boy. JustWatch reported current U.S. Apple TV Store rental access on 2026-08-12. No edition-specific timestamp, individual member names, sequence choreographer, clip, or Legend slug was inferred.
Ichigeki turntable showcase and Katsu's tribute
Breaking (B-Boying / B-Girling)Danced by Ichigeki; Katsu
The dancers rotating like records around a DJ, followed by Katsu touching the floor in mourning for his father.
Ichigeki frames the crew as records controlled by a stage DJ, combining musical precision with performance-art structure; Katsu's floor gesture gives the spectacle personal emotional weight.
Watch this sequence · This sequence is on YouTube as a standalone clip. Rikomatic identifies the showcase as a Planet B-Boy highlight, explains its DJ-and-records framing, and embeds the legally posted performance; The Playlist identifies Katsu's gesture in the film and Ichigeki's Best Show result. The clip is the underlying Battle of the Year performance rather than a timestamped excerpt from a particular film edition, so the timestamp remains blank. No choreographer or Legend slug was inferred.
International crew rehearsal montage
Breaking (B-Boying / B-Girling)Danced by Gamblerz; Ichigeki; Knucklehead Zoo; Last For One; Phase T
Rehearsal footage moving among South Korea, Japan, France, and the United States before everyone converges on Germany.
Cross-cutting among five crews makes breaking legible as a shared global form while preserving the distinct creative and physical identity each team brings to the contest.
Stream or rental only — the timestamp is for when you have it playing. Tribeca's 2007 world-premiere program says Lee follows crews from four countries through qualification and preparation, blending personal stories with rehearsal footage before the face-off. UCLA independently identifies five teams and their training. The supplied taxonomy exactly matches this material to breaking. JustWatch reported Apple TV Store rental availability in the United States on 2026-08-12; Netflix currently reports the title unavailable in the country. No edition-specific timestamp, individual dancer attribution, choreographer, or Legend slug was inferred.
Last For One versus Ichigeki championship battle
Breaking (B-Boying / B-Girling)Danced by Last For One; Ichigeki
Last For One taking the championship while Ichigeki leaves with Best Show after the two crews face off for first place.
The concluding head-to-head sets Last For One's athletic precision against Ichigeki's boundary-pushing theatricality, giving the documentary a clear competitive and stylistic climax.
Watch this sequence · This sequence is on YouTube as a standalone clip. The opened article identifies this exact first-place face-off in Planet B-Boy, names the two crews, and records Last For One as champion and Ichigeki as Best Show. Its embedded viewing source is the competition battle, not a timestamped excerpt tied to one of the film's conflicting 95-, 98-, and 101-minute editions, so no film timestamp was transferred. No individual dancer, choreographer, or Legend slug was inferred.
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