Rise (2022) poster

Dance in Film · 2022

Rise (2022)

Real Paris Opera Ballet principal Marion Barbeau carries Cédric Klapisch's recovery drama from a long classical opening to a Hofesh Shechter Company finale, making the film an unusually credible bridge between ballet injury and contemporary reinvention.

Rise is a 2022 dance feature film centred on ballroom and social dance. For dancers, it's a chance to see the style performed on screen — the phrasing, partnering, and musicality that the same dances carry onto a real floor.

Jump to the 5 indexed dance sequences

Where to watch: U.S. Apple TV catalog page; JustWatch's U.S. availability index listed Prime Video subscription/ad-supported access, Amazon rental, Kanopy, and Hoopla after checking 362 services on 2026-07-10. Availability may change.

The dance sequences in Rise

5 sequences — what is danced, by whom, and where to find it.

  1. Collective improvisation against the wind

    Contemporary dance improvisation

    A collective on a hiking path leans, resists, and moves into the wind in one of the film's most lyrical outdoor passages.

    The dancers answer the Morbihan wind as a group, letting weather become a live choreographic force and making recovery feel spontaneous and porous.

    Open the film at this point · Stream or rental only — the timestamp is for when you have it playing. No edition-specific timestamp, individual performer allocation, or choreographer for this improvisation was published. ResMusica identifies the collective wind improvisation on a Morbihan path. No exact dance_key exists for contemporary dance improvisation.

  2. Final contemporary performance at La Villette

    Contemporary dance

    Danced by Marion Barbeau; Hofesh Shechter Company · Choreography Hofesh Shechter

    At La Villette, Elise performs the company's new work in a life-affirming surge of grounded, rhythmic ensemble movement.

    The staged finale completes Elise's shift from classical isolation to Shechter's pulsing ensemble language without disguising the hard physical work behind it.

    Open the film at this point · Stream or rental only — the timestamp is for when you have it playing. No edition-specific timestamp was published. ResMusica locates the final performance at La Villette and identifies Elise as creating the new show; the Hofesh Shechter Company officially credits Shechter's choreography. Contemporary dance has no exact dance_key in the supplied taxonomy.

  3. Opening La Bayadère performance and fall

    Classical Ballet

    Danced by Marion Barbeau · Choreography Florence Clerc (after Marius Petipa)

    Elise sees her partner's betrayal in the wings, bourrées on in shock, dances briefly, and crashes hard enough for the curtain to come down.

    The film opens by intercutting Elise's backstage shock with her Act I performance of La Bayadère, making classical technique carry the narrative before the fall stops the stage.

    Open the film at this point · Stream or rental only — the timestamp is for when you have it playing. No edition-specific timestamp was published. ResMusica identifies Act I, Marion Barbeau, and Florence Clerc's choreography after Petipa; U.S. rental/streaming availability was checked via JustWatch on 2026-08-14.

  4. Trust exercises beside the sea

    Contemporary dance

    Danced by Marion Barbeau; Hofesh Shechter Company · Choreography Hofesh Shechter

    Elise joins the troupe beside the sea, the blustery Brittany coast framing linked bodies and newly shared confidence.

    Locking arms in playful coastal trust work turns Elise's recovery into a communal physical practice rather than a solitary comeback.

    Open the film at this point · Stream or rental only — the timestamp is for when you have it playing. No edition-specific timestamp was published. Pointe explicitly places Elise in the linked-arm trust exercises beside the sea; contemporary dance has no exact dance_key in the supplied taxonomy.

  5. Watching the company’s grounded daily class

    Contemporary dance

    Danced by Hofesh Shechter Company · Choreography Hofesh Shechter

    Elise watches the troupe stomp and shrug through class, curious about a physical world far removed from pointe work.

    The grounded stomps and shoulder-driven phrasing visibly overturn Elise's ballet-only assumptions and establish the movement vocabulary she must learn.

    Open the film at this point · Stream or rental only — the timestamp is for when you have it playing. No edition-specific timestamp was published. Pointe describes the daily class; the Hofesh Shechter Company officially credits Shechter with the film's choreography and lists the company dancers. Contemporary dance has no exact dance_key in the supplied taxonomy.

Poster artwork from TMDB.

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