Dance in Film · 2007
Sringaram (2007)
Sharada Ramanathan makes Madhura’s appointment as principal devadasi—not a detached song sequence—the spine of a 1920s Tamil period drama about how temple artistry can become a route of resistance; Saroj Khan’s choreography and Lalgudi Jayaraman’s score are central credited authorship.
Sringaram is a 2007 dance feature film centred on ballroom and social dance. For dancers, it's a chance to see the style performed on screen — the phrasing, partnering, and musicality that the same dances carry onto a real floor.
Jump to the 5 indexed dance sequences ↓
Where to watch: Thaniththirai Productions’ official title page provides account registration plus current mobile and PC viewing guides; JustWatch India listed no third-party streamer on 2026-08-10, so access may be limited to the producer’s platform and may change.
Featured clip
An excerpt — one number from the full work.
The dance sequences in Sringaram
5 sequences — what is danced, by whom, and where to find it.
Mallari temple-procession dance
Mallari procession dance / Bharatanatyam influenceDanced by Hamsa Moily; Aditi Rao Hydari; devadasi ensemble · Choreography Saroj Khan
The brightly dressed devadasis advancing through the temple procession as Hamsa Moily anchors the ensemble.
The procession binds dance to temple ritual and the sonority of nadaswaram, placing the devadasi ensemble in a moving public formation rather than a proscenium number. Bharatanatyam-inflected phrases recur without supporting a narrower exact taxonomy claim.
Watch this sequence · This sequence is on YouTube as a standalone clip. No edition-specific timestamp used. The canonical 2007 identity reflects theatrical/public release after the film's 2005 production and awards cycle. The production page reports 177 minutes while JustWatch reports 117 minutes; the conflict is retained. JustWatch India listed no full-film stream on 2026-08-15, while the production site presented an account/download guide without a clearly verifiable access outcome. The director-linked Mallari clip was publicly indexed when checked.
Ninaival Yennai temple solo
Classical-influenced temple film danceDanced by Aditi Rao Hydari · Choreography Saroj Khan
Aditi Rao Hydari beginning the temple dance during the song and returning to it in luminous fragments.
Madhura's dance is intercut through the devotional song, using joyous movement and expression to make the temple setting feel personally sacred. The opened analysis calls it the least classical of the film's dances, so no exact Bharatanatyam key is forced.
Open the film at this point · Not currently available to stream; timestamp is for reference. No edition-specific timestamp used. The canonical 2007 identity reflects theatrical/public release after the film's 2005 production and awards cycle. The production page reports 177 minutes while JustWatch reports 117 minutes; the conflict is retained. JustWatch India listed no full-film stream on 2026-08-15, while the production site presented an account/download guide without a clearly verifiable access outcome.
Three Seasons reunion duet
Bharatanatyam–Odissi posture fusionDanced by Aditi Rao Hydari; Hamsa Moily · Choreography Saroj Khan
The opening lotus shape and the two dancers playing off one another before Madhura's labor pains begin.
The duet deliberately fuses Odissi and Bharatanatyam postures, letting the two women echo and counterpoint one another before Madhura's pregnancy interrupts the movement. Its formal hybridity carries the characters' reunion and liberation into the choreography.
Watch this sequence · This sequence is on YouTube as a standalone clip. No edition-specific timestamp used. The canonical 2007 identity reflects theatrical/public release after the film's 2005 production and awards cycle. The production page reports 177 minutes while JustWatch reports 117 minutes; the conflict is retained. JustWatch India listed no full-film stream on 2026-08-15, while the production site presented an account/download guide without a clearly verifiable access outcome. The director-linked Three Seasons clip was publicly indexed when checked.
Yen Intha Mayam tax-collector solo
Bharatanatyam-informed classical film danceDanced by Hamsa Moily · Choreography Saroj Khan
Hamsa Moily's sharp rhythmic passages breaking down at the end of the performance.
Kama's performance alternates expressive abhinaya with crisp pure-dance passages, turning a ceremonial display for the visiting tax collector into a character scene that falters when disturbing news arrives.
Open the film at this point · Not currently available to stream; timestamp is for reference. No edition-specific timestamp used. The canonical 2007 identity reflects theatrical/public release after the film's 2005 production and awards cycle. The production page reports 177 minutes while JustWatch reports 117 minutes; the conflict is retained. JustWatch India listed no full-film stream on 2026-08-15, while the production site presented an account/download guide without a clearly verifiable access outcome.
Yen Nadha Mayam mother–daughter padam
BharatanatyamDanced by Manju Bhargavi; Aditi Rao Hydari · Choreography Saroj Khan
Ponnamma and Madhura's languid gestures ending in a staged embrace toward the camera.
The slow padam centers abhinaya and a private mother–daughter exchange, allowing emotion, gaze and restrained gesture to carry the scene more than spectacle. The practice-sari setting makes the dance feel intimate and lived-in.
Open the film at this point · Not currently available to stream; timestamp is for reference. No edition-specific timestamp used. The canonical 2007 identity reflects theatrical/public release after the film's 2005 production and awards cycle. The production page reports 177 minutes while JustWatch reports 117 minutes; the conflict is retained. JustWatch India listed no full-film stream on 2026-08-15, while the production site presented an account/download guide without a clearly verifiable access outcome.
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