Isadora
Isadora is a narrative ballet made in 1981 by Kenneth MacMillan for the Royal Ballet, with a scenario by Gillian Freeman drawn from the life and writings of the American dancer Isadora Duncan. Its distinguishing structural device is that the title role is split between a ballerina, who dances Isadora, and a speaking actress, whose text is taken directly from Duncan's memoirs — an unusual biographical-ballet format that puts the work in the catalogue as much for its dramaturgy as for its steps.
What is danced
The article does not describe specific steps, positions, or technical vocabulary danced in Isadora, so nothing concrete can be reported about the choreographic language itself. What it does establish is the work's central formal device: the danced role of Isadora is performed by a ballerina (Merle Park at the premiere) while a separate actress (Mary Miller) speaks text drawn from Duncan's own memoirs, meaning the dancing and the spoken narration run in parallel rather than the dancer also carrying spoken text herself.
Staging history
The ballet premiered at the Royal Opera House, Covent Garden, on 30 April 1981, with Merle Park dancing the title role, designs by Barry Kay, and the Bennett score conducted by Barry Wordsworth; it was then performed in New York. It subsequently went unseen until it was revised in consultation with MacMillan's widow and revived by the Royal Ballet in 2009. The 1981 production was also featured in the BBC's 50th-anniversary programme 'Right Royal Company' and filmed with the original cast by Granada Television, broadcast in 1982 and later issued on DVD in 2011 by Odeon Entertainment, paired with the unrelated 1968 feature film Isadora.
How to watch it
Watch for the interplay between the two performers sharing the title role: the ballerina's danced Isadora against the actress's spoken text taken from Duncan's memoirs, rather than a single performer carrying both movement and narration. The ballet is structured around Duncan's relationships with named partners (Paris Singer, Edward Gordon Craig, Sergei Yesenin) and the drowning of her children, so the danced scenes track specific biographical episodes rather than abstract divertissement.
Credits
- composer: Richard Rodney Bennett