Evgeny Greshilov

Evgeny Greshilov is a Russian pole dancer and choreographer whose competition victories and theatrical approach to pole have shaped how male performers are seen in the discipline. Born January 11, 1981, in Bratsk, Siberia, Greshilov came to pole dance through a background in theatre, circus, dance, and coaching—disciplines he learned to unite on the pole itself. He began his pole career in 2010 and achieved rapid success on the national stage before his breakthrough at the 2011 World Pole Dance and Fitness Championships in Budapest, where he won the men's division.

The following year, Greshilov won the World Pole Sport Championship, a victory he discussed in a contemporary interview by articulating his core artistic principle: the challenge of pole is moving from difficult tricks into dancing that appears easy, relaxed, clean, confident, and musical. That philosophy—difficulty disguised as flow—became the signature of his competitive and creative work. In 2013 he won the men's division at Pole Art, securing a trio of major titles that established him as a leading figure in the sport.

From the mid-2010s onward, Greshilov expanded his role beyond competition. He began a doubles partnership with Kira Noire in 2015, and the pair performed in a dance-circus production at the Leningrad Centre in 2017. That same year, he won both the Professional Drama category and the overall title at Pole Theatre Greece. By 2019, he was teaching at the International Pole Camp and had founded and co-owned Open Dance Academy. He also established himself as a pole videographer, documenting contemporary choreography and aerial experiments on his official channel.

In 2021 Greshilov was listed as a technical judge at the POSA World Pole Art Championship. His recorded work combines long body lines, suspended shapes, and sharply controlled inversions with grounded contemporary-dance phrases and expressive gesture, creating continuity between acrobatic climbs, drops, and floor passages. This approach—treating the entire performance as choreographic material rather than a sequence of scoring elements—has influenced how pole dance is understood and taught internationally.