Ballet 422 (2014) poster

Dance in Film · 2014

Ballet 422 (2014)

Justin Peck creating Paz de la Jolla offers a rare end-to-end index of choreographic development, rehearsal, production and premiere.

Ballet 422 is a 2014 dance documentary centred on ballroom and social dance. For dancers, it's a chance to see the style performed on screen — the phrasing, partnering, and musicality that the same dances carry onto a real floor.

Jump to the 3 indexed dance sequences

Where to watch: Magnolia Pictures and local streaming/rental listings

Trailer

Official trailer.

The dance sequences in Ballet 422

3 sequences — what is danced, by whom, and where to find it.

  1. Paz de la Jolla premiere — waves and geometric ensemble

    Classical Ballet

    Danced by Sterling Hyltin; Tiler Peck; Amar Ramasar; New York City Ballet original cast · Choreography Justin Peck

    Shimmering blue-clad dancers swelling and receding across the stage as the corps becomes the Pacific surf.

    The premiere material reveals how studio fragments become stage architecture: the 18-dancer cast forms quick geometric patterns, then turns interlacing bodies and diagonal surges into a human image of ocean waves.

    Open the film at this point · Stream or rental only — the timestamp is for when you have it playing. NYCB confirms the 18-dancer original cast, January 31, 2013 premiere, and Justin Peck choreography; the Juilliard/Musical America review explicitly describes a classical ballet lexicon. Apple’s opened 75-minute film page supplies paid access. No timestamp was inferred.

  2. Paz de la Jolla principal rehearsals

    Classical Ballet

    Danced by Tiler Peck; Sterling Hyltin; Amar Ramasar · Choreography Justin Peck

    Justin Peck quietly testing and refining phrases with three senior dancers who understand corrections almost before they are spoken.

    The rehearsal-room passages expose choreography as live problem-solving: Peck and three principals trade physical shorthand, corrections, and repeated phrases until speed and geometry begin to read as effortless ballet.

    Open the film at this point · Stream or rental only — the timestamp is for when you have it playing. Film at Lincoln Center identifies the film as a 2014 work; Apple lists its commercial release as 2015 and copyright as 2014. Apple’s opened 75-minute page supplies the paid-access deep link. No edition-specific timestamp was inferred.

  3. Peck returns to the stage after his own premiere

    Jerome Robbins choreography (work unspecified)

    Danced by Justin Peck · Choreography Jerome Robbins

    The newly celebrated choreographer shedding his suit, changing into costume, and perspiring through someone else’s choreography minutes later.

    After watching his first large commission premiere and taking a bow, Peck changes from choreographer into corps dancer and immediately returns to the stage, compressing the film’s argument about artistic labor into one bodily transition.

    Open the film at this point · Stream or rental only — the timestamp is for when you have it playing. Dance Informa identifies the post-premiere stage material only as Jerome Robbins choreography, so no work title or taxonomy style was inferred. The verified LODance Legend slug is jerome-robbins. Apple’s opened 75-minute film page supplies paid access; no timestamp was inferred.

    More about this dancer →

Poster artwork and title data from TMDB. This site uses TMDB and the TMDB APIs but is not endorsed, certified, or otherwise approved by TMDB.

← Back to the Library of Dance