Dance in Film · 2017
Bruk Out! (2017)
Six Dancehall Queens from Jamaica, Japan, Italy, Poland, Spain, and the United States train, improvise, and battle through explosive, gymnastics-inflected movement on their way to Jamaica’s 2014 international crown.
Bruk Out! is a 2017 dance documentary centred on Afro-Diaspora Popular Dance. For dancers, it's a chance to see the style performed on screen — the phrasing, partnering, and musicality that the same dances carry onto a real floor.
Jump to the 5 indexed dance sequences ↓
Dance styles featured
Where to watch: Vimeo On Demand maintained a page for the full documentary on 2026-08-10; availability and pricing may change.
Featured clip
An excerpt — one number from the full work.
The dance sequences in Bruk Out!
5 sequences — what is danced, by whom, and where to find it.
Ale Camara and Pinky cross borders
Dancehall Queen StyleDanced by Ale Camara; Manami “Pinky” Hirano
Polish and Japanese queens arriving in Jamaica with sharply rehearsed movement and open reverence for the culture that made it.
Camara and Hirano show how exacting practice can cross race, language, and national distance without erasing Jamaican origin. Their carefully learned material contrasts with the form’s improvisational bravado, making respect visible through technical preparation.
Watch this sequence · Stream or rental only — the timestamp is for when you have it playing.
Alevanille changes emotional register
Dancehall Queen StyleDanced by Alessandra “Alevanille” Traversari
A single performer flipping from humor to aggression without losing the dance’s rhythmic heat.
Alevanille treats Dancehall Queen Style as more than sensual display, moving among comedy, aggression, and release. Those changes of register let personality organize the vocabulary instead of reducing it to a single provocative surface.
Watch this sequence · Stream or rental only — the timestamp is for when you have it playing.
Dancing Princess reclaims the frame
Dancehall Queen StyleDanced by Raquel “Dancing Princess” Koroma
A poised modern-dance background sharpened into an aggressive, confrontational Dancehall Queen persona.
Koroma’s shift from modern dance into Dancehall Queen vocabulary turns provocative attack, isolations, and floor-level power into self-authored display. The sequence makes sexuality read as control and refusal rather than passive spectacle.
Watch this sequence · Stream or rental only — the timestamp is for when you have it playing.
International Dancehall Queen 2014 final
Dancehall Queen StyleDanced by Ale Camara; Jahnoia “Danger” Christie; Keja “Tall Up” Christie; Manami “Pinky” Hirano; Raquel “Dancing Princess” Koroma; Alessandra “Alevanille” Traversari
A chain-link-framed stage, ceaseless air horns, and six women turning individual bravado into communal heat.
The converging solos compress six personal and national journeys into public competitive authorship, where command of the crowd matters as much as difficulty. Air horns, close quarters, and risk make the final feel like a live exchange between dancers and community rather than a sealed stage show.
Watch this sequence · Stream or rental only — the timestamp is for when you have it playing.
Tall Up and Danger carry Jamaican tradition
Dancehall Queen StyleDanced by Keja “Tall Up” Christie; Jahnoia “Danger” Christie
Two sisters sharing the same fearless physical fluency while the film restores Dancehall Queen movement to its Jamaican roots.
The sisters’ movement reads as a social language learned in family and party life, not a borrowed stage effect. Their grounded confidence and gymnastics-inflected attack connect competition invention to the Jamaican communities that generated the form.
Watch this sequence · Stream or rental only — the timestamp is for when you have it playing.
More dance films
Poster artwork and title data from TMDB. This site uses TMDB and the TMDB APIs but is not endorsed, certified, or otherwise approved by TMDB.