Chloe Moglia

Chloé Moglia, born in 1978 in Perpignan, France, is a French artist who trained at the École nationale des arts du cirque de Rosny-sous-Bois and the Centre national des arts du cirque in Châlons-en-Champagne, specializing in aerial disciplines. She grew up around ceramic practice, an environment that shaped her attention to matter, weight, transformation and elemental forces—qualities that would define her later work.

In 2000, Moglia co-founded Compagnie Moglice-Von Verx with Mélissa Von Vépy. Their early works—*Un certain endroit du ventre* (2001), *Temps troubles* (2003), and *I look up, I look down…* (2005)—placed aerial technique in conversation with scenography, theatre and dance. The company received the SACD circus-arts prize in 2007. Her encounter with martial arts, particularly the Russian discipline systema, transformed her approach to trapeze. Rather than accumulating spectacular figures, she began treating sustained hanging as a complete field of action: a physical situation in which thought, perception, hesitation and transformation become visible.

In 2009, Moglia founded Rhizome in Brittany and progressively developed what she calls "suspension"—a practice that replaces trick-to-trick acceleration with prolonged exposure to gravity. Works such as *Rhizikon*, *Le Vertige* (2012), *Horizon* (2013), *Aléas* (2015), and *La Spire* (2017) treat curved bars, lines, circles and spirals as both apparatuses and sculptures. Performers negotiate them slowly, often high above the ground, making small transfers of grip and weight theatrically consequential. In these works, slowness does not remove danger; it makes the body's calculations legible.

Moglia has broadened the practice through sustained collaboration and writing. *L'Oiseau-Lignes* (2019) joined her with musician Marielle Chatain; *Bleu tenace* (2021) was created for Rhizome performer Fanny Austry; *O* (2022) combined suspension, speech and drawing; and *Rouge merveille* (2024) was made with Mélusine Lavinet-Drouet and music by Chatain. Her journal project *Les Feuilles*, launched in 2024 and continued through 2025–2026, invites writers, researchers and illustrators to think alongside the perceptual and political questions generated above the void.