Performer · Teacher
David Allan
Ballet choreographer
Why They Matter
Allan's significance lies in his work across the full spectrum of ballet practice—as a dancer, choreographer, teacher, and custodian of repertory. His ballets, particularly Reunions at New York City Ballet, remain performed works that dancers and audiences encounter. His teaching and advisory roles…
Biography
David Allan is a ballet choreographer, dancer, and teacher who built a distinguished career across performance, creation, and artistic leadership. From St. Louis, Missouri, Allan trained at the National Ballet of Canada School and rose to become a leading soloist with the National Ballet of Canada. His choreographic work began in 1984 with the *Khachaturian Pas de Deux*, launching a prolific creative practice that would span decades. By 1995, he had created more than thirty-five ballets, many emerging from commissions associated with Erik Bruhn. Among his most documented works are *Reunions* and *Pastoral Dances*, both created for New York City Ballet and later entered into the company's active repertory. Beyond his role as a creator and performer, Allan shaped the field through teaching and artistic direction. He served as a professor of dance at UC Irvine and, in his later career, became artistic adviser to the Skylar Campbell Dance Collective, bringing his deep knowledge of ballet tradition and contemporary practice to emerging choreographers and dancers.
Legacy & Impact
Allan's significance lies in his work across the full spectrum of ballet practice—as a dancer, choreographer, teacher, and custodian of repertory. His ballets, particularly *Reunions* at New York City Ballet, remain performed works that dancers and audiences encounter. His teaching and advisory roles extended his influence beyond his own choreography, shaping how subsequent generations approach classical ballet and its evolution. For dancers studying ballet creation and institutional practice, Allan exemplifies a career of sustained artistic contribution.
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