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Richy Jackson

Legend of Dance

1990s

Why They Matter

Jackson matters because he made choreography a persistent component of pop-star authorship across formats. His work shows how a repeatable movement motif can define a song’s public memory, connect camera and stadium scale, and migrate into fan performance and digital avatars.

Known For

Dance

Watch

Richy Jackson talks about working with Lady Gaga and JoJo Siwa

Entertainment Tonight

First-person commentary on major collaborations

Lady Gaga choreographer reacts to the Super Bowl performance

Entertainment / interview channel

Explains practical and visual decisions behind a major live production

Starstruck — Richy Jackson choreography

RichySquirrel

Early direct example associated with Jackson's creator channel identity

Biography

Richard "Richy" Jackson is an American choreographer, dancer, and visual director who shaped the movement language of pop music across concert, music video, film, and digital platforms. Growing up in the San Francisco Bay Area, Jackson moved to Los Angeles in 1999 to pursue professional dance. He worked as a performer in music videos and live shows for artists including Usher and Missy Elliott, while simultaneously learning production through assistant roles with established choreographers including Michael Rooney and Laurieann Gibson. Through Gibson's team, he began collaborating with Lady Gaga in the early stages of her recording career.

In late 2011, Jackson became Gaga's lead choreographer and visual director—a role that would define both his career and her public image for over a decade. His work across the *Born This Way Ball*, concert tours, music videos, award show performances, and the Super Bowl LI halftime show in 2017 established a distinctive movement vocabulary: bold silhouettes, angular arms, grounded energy, and synchronized ensemble blocks alternating with star-centered motifs. Each phrase was designed to complete itself through camera framing, costume, or scenic elements, making his choreography legible at stadium scale and compelling in close-up.

Beyond Gaga, Jackson choreographed for the 2018 film *A Star Is Born* and worked with other recording artists on their visual projects. During 2020, he adapted his rehearsal and creative processes to pandemic constraints while creating televised performances including the music videos for "Stupid Love" and "Rain on Me," both of which circulated widely across social platforms and inspired imitation. His practice expanded into gaming, with choreography adapted as digital emotes. In 2024, he collaborated with JoJo Siwa on the song "Karma," demonstrating the reach—and polarized reception—that emphatic pop choreography can attract.

Career Highlights

1999

Moved from the San Francisco Bay Area to Los Angeles to pursue dance.

2001

Appeared as a dancer in major pop projects during his early professional period.

2003

Worked in film and commercial choreography environments, including assistant roles.

2008

Began appearing in and contributing to Lady Gaga’s early visual work.

2009

Contributed movement to Gaga projects including the The Fame Monster era.

2011

Became Lady Gaga’s lead choreographer and visual director.

2012

Served as visual director and choreographer for the Born This Way Ball and as a television competition judge.

2017

Helped shape Gaga’s Super Bowl LI halftime performance and Joanne-era touring.

2018

Choreographed movement for A Star Is Born.

2020

Choreographed Gaga projects including “Stupid Love” and “Rain on Me.”

2024

Created choreography for JoJo Siwa’s “Karma.”

Legacy & Impact

Jackson redefined how choreography functions in pop stardom by making movement a persistent identifier across formats: stadium tours, streaming video, award shows, and digital avatars. His work demonstrates that a repeatable motif can define a song's cultural memory, bridge the scale between camera and arena, and pass into fan performance. Dancers studying commercial choreography encounter his movement logic as a foundational reference for readable, repeatable design.

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