Jazz Funk

Also known as: Commercial jazz

OriginUnited States
Era1980–Present
RhythmHip-hop / R&B / pop
TempoVaries
CharacterGroovy, edgy, commercial

History & Cultural Context

Jazz funk developed as jazz dance absorbed funk, hip-hop, and street styles from the 1980s onward, becoming the high-energy commercial idiom of music videos, pop tours, and concert choreography. It keeps jazz isolations and attack while adding street-style groove, texture, and attitude.

Cultural Significance

Jazz funk is central to the commercial dance industry—music videos, tours, and televised performance.

Characteristic Movement & Technique

Jazz isolations and lines fused with street-style groove, texture, and stylized attitude.

Dance Lineage

Evolved from:Vernacular Jazz

Jazz Funk Music & Tempo

Drawn from 15 Jazz Funk tracks in the LODance music library.

Example tracks at practice tempo

  • GnarlyKATSEYE135 BPM
  • Sports carTate McRae107 BPM
  • MONA LISAj-hope138 BPM
  • AbracadabraLady Gaga126 BPM
  • AnxietyDoechii129 BPM
  • ExtraL (feat. Doechii)JENNIE140 BPM

Sources & Further Reading

Cultural & Historical Context

Jazz Funk emerged from United States during the 1980s—present day. Understanding the cultural roots, musical traditions, and social circumstances of this era enriches appreciation for the dance's characteristics and significance.

Primary Source Documents

The Library of Dance contains public-domain primary sources for dance history. Copyrighted modern syllabi are indexed with purchase links to their respective copyright owners. Search by dance name or codifier to discover primary source documents.

Last reviewed: September 2026 — This dance profile synthesizes historical research, cultural documentation, and contemporary practice knowledge to provide authoritative context.

More in Jazz Dance

Vernacular Jazz

The African American social-dance 'trunk' of jazz dance—ragtime steps, the Charleston, and the Lindy Hop—from which the theatrical branches grew.

Broadway / Theatrical Jazz

The presentational, musical-theater branch of jazz dance shaped by choreographers such as Jack Cole, Jerome Robbins, and Bob Fosse.

Lyrical Jazz

A late-20th-century fusion branch combining jazz technique with the continuity and emotional expression of ballet and contemporary dance, danced to lyrics-driven music.

Dunham Technique

Katherine Dunham's codified technique drawing on Caribbean and African dance, foregrounding torso isolations, polyrhythm, and a wider rhythmic range than other Western dance of its time.

Latin Jazz

The branch of American theatrical jazz dance whose rhythmic and movement basis is Afro-Cuban and Afro-Caribbean rather than Anglo-American swing. It took shape as Cuban musicians and dancers, and researchers who had worked in the Caribbean, brought clave-based rhythm and a mobile pelvis and torso into jazz dance from the 1940s onward. It matters because it is one of the few places in commercial jazz training where the African diasporic source is still explicit in the movement itself.

Vaudeville Jazz

The dance of the American variety stage from roughly the 1880s to the 1930s, where tap, eccentric dance, acrobatic and flash acts, and much of the vocabulary later called jazz dance were invented, tested nightly and professionalised. It was a working system as much as an art form: acts refined material across thousands of performances under booking agents who controlled where and for how much a dancer could work. Most of the vocabulary that survives in tap and musical theatre today was created by Black performers inside a segregated industry that paid them least and credited them last.

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