Dance in Film · 2014
Cuban Fury (2014)
Nick Frost stars as a former junior salsa champion who rediscovers his passion for Latin dance to impress his new boss.
Cuban Fury is a 2014 dance feature film centred on Club & Social Latin. For dancers, it's a chance to see the style performed on screen — the phrasing, partnering, and musicality that the same dances carry onto a real floor.
Jump to the 20 indexed dance sequences ↓
Dance styles featured
Where to watch: Streaming (various)
The dance sequences in Cuban Fury
20 sequences, 16 with a timestamp — what is danced, by whom, and where to find it.
Danced by Ben Radcliffe; Isabella Steinbarth; youth competition ensemble · Choreography Richard Marcel
Young Bruce's fire-in-his-heels confidence, the trophy run and the siblings' ThunderCats salute.
The opening packs young Bruce and Sam's salsa circuit into a rush of trophies, competition floors and Ron Parfitt's hard-edged coaching. The siblings' ThunderCats call and Bruce's hand-sewn sequined shirt make this prodigy montage recur later as a private piece of muscle memory.
Stream or rental only — the timestamp is for when you have it playing. Timestamp is keyed to the named 1080p Blu-ray x265 RARBG subtitle reference; commercial masters can shift. U.S. streaming/rental availability verified August 4, 2026.
Danced by Nick Frost · Choreography Richard Marcel
Bruce clearing space for mirrors and discovering that the old champion's steps no longer arrive on command.
Adult Bruce replays the old winner announcement, decides he needs mirrors and tries to make his body answer the child champion on the tape. Each heavy landing and breathy stop exposes the twenty-two-year gap before the attempt finally sends him looking for Ron.
Stream or rental only — the timestamp is for when you have it playing. Timestamp is keyed to the named 1080p Blu-ray x265 RARBG subtitle reference; commercial masters can shift. U.S. streaming/rental availability verified August 4, 2026.
Danced by Nick Frost; Kayvan Novak; El Corazón class ensemble · Choreography Richard Marcel
Bruce interrupting the counted basic because he believes he belongs somewhere more advanced.
Bruce enters El Corazón in the old-school rubber-soled shoes and immediately talks across the teacher's basic-step count of one-two-three, five-six-seven. His insistence that the class is baby stuff lands against a room already moving in unison, so the return begins with embarrassment rather than mastery.
Watch this sequence · This sequence is on YouTube as a standalone clip. Timestamp is keyed to the named 1080p Blu-ray x265 RARBG subtitle reference; commercial masters can shift. U.S. streaming/rental availability verified August 4, 2026.
Danced by Nick Frost; Yanet Fuentes · Choreography Richard Marcel
World-champion Alicia folding Bruce through the cabaret test before welcoming him back.
Yanet Fuentes's Alicia accepts Ron's road test and accelerates Bruce into the acrobatic weight changes of salsa cabaret while he struggles to stay upright. Her warning that he is in her yard, the sudden cry of 'Rumba,' and the calm 'Welcome back' after the final contortion make the lesson feel like a physical initiation.
Watch this sequence · This sequence is on YouTube as a standalone clip. Timestamp is keyed to the named 1080p Blu-ray x265 RARBG subtitle reference; commercial masters can shift. U.S. streaming/rental availability verified August 4, 2026.
Danced by Nick Frost; Kayvan Novak; El Corazón class ensemble · Choreography Richard Marcel
Bruce declaring that he is there to learn salsa and earning his first simple word of approval.
Bruce returns to the line, gives his full name and finally accepts the instructor's counted basics instead of hiding behind his childhood résumé. The sequence moves him through side steps, a forward turn and a back-and-shimmy until the teacher's 'Nice one, Bruce' replaces Ron's earlier rejection.
Watch this sequence · This sequence is on YouTube as a standalone clip. Timestamp is keyed to the named 1080p Blu-ray x265 RARBG subtitle reference; commercial masters can shift. U.S. streaming/rental availability verified August 4, 2026.
Danced by Kayvan Novak; Nick Frost; Boteco dance-floor ensemble · Choreography Richard Marcel
The illuminated glass floor and Bejan heckling the salsa-aerobics group from the sidelines.
Boteco's programmable LED glass floor fills with social couples while Bruce and Bejan watch from its edge. Bejan's running commentary separates a close grinding couple from a salsa-aerobics group, turning the crowded floor into Bruce's crash course in what this community considers authentic or embarrassing.
Stream or rental only — the timestamp is for when you have it playing. Timestamp is keyed to the named 1080p Blu-ray x265 RARBG subtitle reference; commercial masters can shift. U.S. streaming/rental availability verified August 4, 2026.
Danced by Nick Frost; salsa-club partner; Boteco dance-floor ensemble · Choreography Richard Marcel
Ron ejecting Bruce for empty steps, followed by Bruce's angry recovery of his heart on the floor.
Bruce is called off the bar and starts a guarded partner basic until Ron stops the music with repeated orders to get off the floor. Ron's accusation that Bruce is only doing steps provokes the silent burst that follows, and the same club becomes the first place adult Bruce dances from el corazón instead of memory.
Stream or rental only — the timestamp is for when you have it playing. Timestamp is keyed to the named 1080p Blu-ray x265 RARBG subtitle reference; commercial masters can shift. U.S. streaming/rental availability verified August 4, 2026.
Danced by Nick Frost; Ian McShane · Choreography Richard Marcel
Ron's eagle-versus-heron correction and Bruce silently counting steps among industrial machines.
Ron rebuilds Bruce from the shoulders out, demanding the arms of an eagle and the legs of a stallion while correcting every ungainly shape in the mirror. The montage carries Bruce's counted footwork into the machinery showroom and other scraps of daily life, showing practice invading the office that had kept him small.
Stream or rental only — the timestamp is for when you have it playing. Timestamp is keyed to the named 1080p Blu-ray x265 RARBG subtitle reference; commercial masters can shift. U.S. streaming/rental availability verified August 4, 2026.
Danced by Nick Frost; Kayvan Novak · Choreography Richard Marcel
Bejan's reggaeton explanation ending in Bruce's mistimed drop to the floor.
Bejan answers Bruce's complaint that the move looks like chicken stuff by naming it reggaeton and demonstrating the lower, looser attack. The counted three-two-one drop ends with Bruce hitting the floor and yelping, a comic reminder that salsa fitness has not prepared him for Bejan's perreo-based drill.
Watch this sequence · This sequence is on YouTube as a standalone clip. Timestamp is keyed to the named 1080p Blu-ray x265 RARBG subtitle reference; commercial masters can shift. U.S. streaming/rental availability verified August 4, 2026.
Danced by Nick Frost; Ian McShane · Choreography Richard Marcel
Ron declaring that Bruce has finally won and handing back the soft old Cuban-heeled shoes.
Ron reduces Bruce's readiness test to a terse count from one through five, refusing sentiment until the combination lands. The reward is Bruce's tiny 1980s dance shoes, so the finished phrase returns the exact object stripped from him after the childhood attack.
Stream or rental only — the timestamp is for when you have it playing. Timestamp is keyed to the named 1080p Blu-ray x265 RARBG subtitle reference; commercial masters can shift. U.S. streaming/rental availability verified August 4, 2026.
Danced by Nick Frost; Chris O'Dowd · Choreography Litza Bixler
Bruce forcing Drew to follow 'like a lady' and finishing the lunch-break battle at the table.
The parking-garage duel turns salsa partnering into combat as Bruce and Drew trade wrist insults, skirt-like taunts and control of the lead between parked cars. Bruce finally reverses Drew into the follower's role and drives the contest toward the folding table, paying off his promise to dance his rival under any sort of table.
Watch this sequence · This sequence is on YouTube as a standalone clip. Timestamp is keyed to the named 1080p Blu-ray x265 RARBG subtitle reference; commercial masters can shift. U.S. streaming/rental availability verified August 4, 2026.
Danced by Nick Frost; Olivia Colman · Choreography Richard Marcel
Sam volunteering herself as Bruce's partner and invoking the forbidden ThunderCats routine.
At the driving range, Sam answers Bruce's claim that he has no partner by slipping back into their old sibling timing and insisting she still has it. The ThunderCats call they used as children bridges the dark practice bay to the Santo Vito floor, making their reunion a recovered ritual rather than a newly invented partnership.
Stream or rental only — the timestamp is for when you have it playing. Timestamp is keyed to the named 1080p Blu-ray x265 RARBG subtitle reference; commercial masters can shift. U.S. streaming/rental availability verified August 4, 2026.
Danced by Nick Frost; Olivia Colman; Santo Vito competition ensemble · Choreography Richard Marcel
The siblings entering terrified and finishing to the emcees' astonished 'feet of fury' call.
Bruce and Sam step onto heat four admitting that neither is ready, then their old partnership snaps back under the emcees' running commentary. Sam's command for a big smile and the call of 'feet of fury' turn the siblings' private nostalgia into the routine that carries them into the semifinal.
Stream or rental only — the timestamp is for when you have it playing. Timestamp is keyed to the named 1080p Blu-ray x265 RARBG subtitle reference; commercial masters can shift. U.S. streaming/rental availability verified August 4, 2026.
Danced by Nick Frost; Olivia Colman; Santo Vito competition ensemble · Choreography Richard Marcel
The unexpected double move and the announcement that Bruce and Sam have reached the final.
The semifinal begins on the emcee's 'Musica, maestro' and keeps Bruce and Sam moving through a crowded elimination floor where other couples peel away. Sam's repeated 'Come on, Bruce' meets the announcer's surprise at their double move, and the pair earns the last call that matters: finalists.
Stream or rental only — the timestamp is for when you have it playing. Timestamp is keyed to the named 1080p Blu-ray x265 RARBG subtitle reference; commercial masters can shift. U.S. streaming/rental availability verified August 4, 2026.
Danced by Nick Frost; Rashida Jones; unnamed dance doubles in advanced passages; Santo Vito competition ensemble · Choreography Richard Marcel
Julia joining at the last possible moment and Bruce realizing that finishing together matters more than the trophy.
Julia arrives in time for the Santo Vito final, accepts Bruce's invitation and immediately asks whether she should lead before he insists he can manage. Their salsa builds into the difficult throwing passages for which Jones used a dance double, but losing the contest leaves the pair laughing together instead of breaking Bruce's confidence.
Stream or rental only — the timestamp is for when you have it playing. Timestamp is keyed to the named 1080p Blu-ray x265 RARBG subtitle reference; commercial masters can shift. U.S. streaming/rental availability verified August 4, 2026.
Danced by Nick Frost; Rashida Jones; Olivia Colman; Ian McShane; Santo Vito ensemble · Choreography Richard Marcel
Bruce granting Ron access to the floor before the whole Santo Vito crowd joins the final dance.
After the winners are announced, Ron formally asks Bruce's permission to enter his dance floor and the old teacher is finally admitted on the student's terms. The emcee's call for 'some love' folds Sam, Julia, Ron and the club into one last social salsa, replacing competition ranks with the community Bruce recovered.
Stream or rental only — the timestamp is for when you have it playing. Timestamp is keyed to the named 1080p Blu-ray x265 RARBG subtitle reference; commercial masters can shift. U.S. streaming/rental availability verified August 4, 2026.
Childhood salsa championship
SalsaDanced by young Bruce; young Sam; salsa competitors · Choreography Richard Marcel
Fast competition coverage establishes precise timing and showmanship before the abrupt narrative break.
The coverage alternates between adjudicator-style wide views and reaction shots without abandoning the routine's structure. Clear musical hits, difficulty peaks and formation changes create a legible competitive arc, making the result feel earned on the floor.
Garage salsa dance-off
SalsaDanced by Nick Frost; Chris O'Dowd · Choreography Richard Marcel
A mundane parking garage becomes a comic battle circle through footwork exchanges and escalating one-upmanship.
The sequence gains force by cutting between sharply different movement textures while keeping each style visually legible. That contrast turns technique into character: posture, groove and use of space communicate the conflict before dialogue can explain it.
Salsa club dance with Julia
SalsaDanced by Nick Frost; Rashida Jones; club ensemble · Choreography Richard Marcel
The social floor keeps the pair embedded in community traffic, and their changing confidence reads through hold and timing.
The framing stays close enough to catch breath, eye-line and lead-follow negotiation, then widens when the partnership needs spatial room. Small weight shifts and pauses carry as much force as the larger figures, which makes the dance register as a live relationship rather than decoration.
Salsa competition comeback
SalsaDanced by Nick Frost; Rashida Jones; Ian McShane; ensemble · Choreography Richard Marcel
Competition structure and a cheering crowd turn restored basics into a deliberately oversized emotional finish.
The camera expands and contracts with the number, moving from architectural wides to selective details at musical turning points. Scale, costume and formation changes amplify the choreography instead of replacing it, so the spectacle remains anchored in dancing bodies.
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