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Dance in Film · 1994

Martha Graham: The Dancer Revealed (1994)

Rare films, performance excerpts, and late rehearsal footage reveal how Graham built a movement language from contraction, weight, and dramatic intent, then transmitted it across generations.

Martha Graham: The Dancer Revealed is a 1994 dance documentary centred on Contemporary Dance. For dancers, it's a chance to see the style performed on screen — the phrasing, partnering, and musicality that the same dances carry onto a real floor.

Jump to the 10 indexed dance sequences

Dance styles featured

Where to watch: Criterion Channel subscription (verified 2026-08-11); Criterion DVD edition.

The dance sequences in Martha Graham: The Dancer Revealed

10 sequences — what is danced, by whom, and where to find it.

  1. Company performance excerpts across generations

    Danced by Martha Graham Dance Company · Choreography Martha Graham

    Successive generations carrying the same charged movement language through different bodies.

    Moving between company generations shows that Graham Technique is not a museum object but a demanding system repeatedly re-embodied by different dancers. The excerpts reveal continuity in torque, grounded attack, and dramatic intention even as individual bodies change.

    More about this dancer →

  2. Company performance excerpts across generations

    Graham Technique

    Danced by Martha Graham Dance Company · Choreography Martha Graham

    Successive generations carrying the same charged movement language through different bodies.

    Moving between company generations shows that Graham Technique is not a museum object but a demanding system repeatedly re-embodied by different dancers. The excerpts reveal continuity in torque, grounded attack, and dramatic intention even as individual bodies change.

    Open the film at this point · Stream or rental only — the timestamp is for when you have it playing.

    More about this dancer →

  3. Denishawn beginnings and the breakaway toward an independent troupe

    Danced by Martha Graham

    A young Graham emerging from Denishawn imagery on the way toward her own severe stage language.

    The archival progression makes artistic rebellion visible: Graham absorbs Denishawn theatricality, then strips away its inherited surface while searching for a movement language of her own. The sequence gives the later technique a historical before-image without mislabeling Denishawn material as Graham Technique.

    More about this dancer →

  4. Denishawn beginnings and the breakaway toward an independent troupe

    Danced by Martha Graham

    A young Graham emerging from Denishawn imagery on the way toward her own severe stage language.

    The archival progression makes artistic rebellion visible: Graham absorbs Denishawn theatricality, then strips away its inherited surface while searching for a movement language of her own. The sequence gives the later technique a historical before-image without mislabeling Denishawn material as Graham Technique.

    Open the film at this point · Stream or rental only — the timestamp is for when you have it playing.

    More about this dancer →

  5. Final company class: Graham rises to teach

    Danced by Martha Graham; Martha Graham Dance Company · Choreography Martha Graham

    A frail Graham standing amid the class with the old theatrical fire still intact.

    The closing class turns physical limitation into a final statement of craft. Graham’s aging body cannot demonstrate as it once did, yet her timing, eye, and insistence still reorganize the room, showing technique as an act of attention passed from teacher to dancers.

    More about this dancer →

  6. Final company class: Graham rises to teach

    Graham Technique

    Danced by Martha Graham; Martha Graham Dance Company · Choreography Martha Graham

    A frail Graham standing amid the class with the old theatrical fire still intact.

    The closing class turns physical limitation into a final statement of craft. Graham’s aging body cannot demonstrate as it once did, yet her timing, eye, and insistence still reorganize the room, showing technique as an act of attention passed from teacher to dancers.

    Open the film at this point · Stream or rental only — the timestamp is for when you have it playing.

    More about this dancer →

  7. Martha Graham rehearses Mikhail Baryshnikov

    Danced by Martha Graham; Mikhail Baryshnikov · Choreography Martha Graham

    The aged Graham directing Baryshnikov with undiminished exactness and authority.

    The rehearsal catches technique in transmission rather than polished display. Graham shapes intention directly on Baryshnikov’s classically trained body, exposing how her movement depends on dramatic pressure and weighted impulse as much as on placement.

  8. Martha Graham rehearses Mikhail Baryshnikov

    Graham Technique

    Danced by Martha Graham; Mikhail Baryshnikov · Choreography Martha Graham

    The aged Graham directing Baryshnikov with undiminished exactness and authority.

    The rehearsal catches technique in transmission rather than polished display. Graham shapes intention directly on Baryshnikov’s classically trained body, exposing how her movement depends on dramatic pressure and weighted impulse as much as on placement.

    Open the film at this point · Stream or rental only — the timestamp is for when you have it playing.

  9. Rare archival films of Martha Graham dancing

    Danced by Martha Graham · Choreography Martha Graham

    Graham’s body carving stark shapes out of fragile historical footage.

    The surviving films let Graham’s own body explain the technique: weight, contraction, sculptural line, and psychological force register more clearly than any biographical summary. Seeing the originator dance turns a vocabulary often taught as exercises back into theatrical action.

    More about this dancer →

  10. Rare archival films of Martha Graham dancing

    Graham Technique

    Danced by Martha Graham · Choreography Martha Graham

    Graham’s body carving stark shapes out of fragile historical footage.

    The surviving films let Graham’s own body explain the technique: weight, contraction, sculptural line, and psychological force register more clearly than any biographical summary. Seeing the originator dance turns a vocabulary often taught as exercises back into theatrical action.

    Open the film at this point · Stream or rental only — the timestamp is for when you have it playing.

    More about this dancer →

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