Dance in Film · 2015
Mr. Gaga (2015)
Eight years of rehearsal, performance and archive footage put Ohad Naharin’s Gaga movement language under the camera: sensation-led prompts, elastic spines and explosive group phrasing inside Batsheva’s creative process.
Mr. Gaga is a 2015 dance documentary centred on Contemporary Dance. For dancers, it's a chance to see the style performed on screen — the phrasing, partnering, and musicality that the same dances carry onto a real floor.
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Dance styles featured
Where to watch: Kino Lorber and local streaming/rental listings
Trailer
Official trailer.
The dance sequences in Mr. Gaga
2 sequences — what is danced, by whom, and where to find it.
Echad Mi Yodea opening-credits performance excerpt
Danced by Batsheva Dance Company · Choreography Ohad Naharin
A semicircle of chairs erupting in unison to Echad Mi Yodea, bodies dropping and returning until the image becomes almost ceremonial.
The chair semicircle locks individual dancers into a ritual pattern, then repeated rebounds and stripping turn accumulation into collective pressure. Heymann cuts the excerpt into the opening credits, making Naharin’s choreographic scale the film’s first argument before biography takes over.
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Opening Gaga quake-and-fall rehearsal
Gaga Movement LanguageChoreography Ohad Naharin
The dancer quaking, dropping and rising again as Naharin refines the quality instead of prescribing a pose.
Naharin asks a dancer to let a quake travel through the body and collapse more decisively, turning a verbal image into an immediate physical problem. The repeated falls expose Gaga’s central practice: sensation, effort and release are discovered through the body rather than copied as fixed shapes.
Open the film at this point · Stream or rental only — the timestamp is for when you have it playing.
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