Library of Dance›Blues People: Negro Music in White America
In printPractitioner accountWritten from inside the tradition

Blues People: Negro Music in White America

LeRoi Jones (Amiri Baraka) · William Morrow · 1963 · Originally in English · scholarly

The argument that blues form is inseparable from Black social life and movement.

About the author

Amiri Baraka (1927–2014), born Everett Leroy Jones, was a poet, playwright, essayist, and cultural critic central to the Black Arts Movement. He worked as a music critic and cultural journalist before publishing Blues People; his writing combined close attention to artistic form with explicit political commitment to Black liberation. His later work grew more explicitly political and Marxist. He was both celebrated and controversial for insisting that cultural criticism was inseparable from social analysis.

Documents these traditions

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