Capoeira

OriginBrazil
Era1650–Present

History & Cultural Context

Developed by enslaved Africans in Brazil from at least the 17th century (precise origins are debated), it grew as a clandestine practice; by the traditional account, fight training was disguised as dance to evade repression.

Capoeira — In Depth

An Afro-Brazilian art form combining dance, acrobatics, and martial arts, developed by enslaved Africans in Brazil and played in a roda (circle) to the rhythm of the berimbau.

Characteristic movement

Capoeira is played in a circle, the roda: two players engage at its center while the others sing, chant, clap and play percussion around them (UNESCO 2014). The master usually plays the berimbau, a single-string percussion instrument, starts the chants and leads the timing and rhythm of the game (UNESCO 2014). The berimbau's rhythm (toque) sets the game's speed, style and aggressiveness, and a berimbau player decides when a game ends (Wikipedia, "Capoeira"). Many songs run in call and response (Wikipedia). The fundamental movement is the ginga, a continuous rocking or swinging step from which players attack and defend (Wikipedia). Most attacks are made with the legs: direct and swirling kicks such as the meia lua de compasso, leg sweeps (rasteiras), scissors (tesouras) and knee strikes; the head-butt (cabeçada) is an important counter-attack (Wikipedia). Players avoid attacks with esquivas, which change with the direction of the attack, and move between positions through rolls and acrobatics such as the cartwheel (aú) and the low transitional negativa (Wikipedia). Punches and elbows are usually avoided outside very aggressive games (Wikipedia). Skills are learned in the roda by observation and imitation, and every participant is expected to play the instruments as well as the movements (UNESCO 2014).

Common misconceptions

"It is only a dance" or "only a fight." UNESCO describes it as simultaneously a fight and a dance (UNESCO 2014); the game emphasizes body dialogue and showing skill rather than knocking an opponent down (Wikipedia, "Capoeira"). "It is settled history that enslaved people disguised a martial art as dance." That reading is held by some scholars but the origin is not entirely clear, and research from Angola suggests game, fight and dance were linked more deeply than a disguise story allows (Wikipedia). "There is one capoeira." Mestre Bimba reformed the practice in the early 1930s as capoeira Regional, and Mestre Pastinha founded his school in 1941 to cultivate the traditional capoeira Angola; both introduced major innovations (Wikipedia). "The music is accompaniment." The berimbau determines the tempo and style of the game being played (Wikipedia).

Sources: UNESCO Intangible Cultural Heritage, "Capoeira circle", Representative List 2014 (9.COM 10.8), https://ich.unesco.org/en/RL/capoeira-circle-00892 (read 2026-11-05). Wikipedia, "Capoeira", https://en.wikipedia.org/wiki/Capoeira (read 2026-11-05).

Sources: UNESCO Intangible Cultural Heritage, "Capoeira circle" (2014), https://ich.unesco.org/en/RL/capoeira-circle-00892. Wikipedia, "Capoeira", https://en.wikipedia.org/wiki/Capoeira (read 2026-11-05).

Capoeira Playlists

Curated collections on the LODance YouTube channel — performances to watch, lessons to learn from, and the right music to practice with. Tap a collection to play.

▶ Performances · Open on YouTube →

Capoeira Music & Tempo

Drawn from 15 Capoeira tracks in the LODance music library.

Example tracks at practice tempo

  • Iúna — Mestre Suassuna & Dirceu
  • Homage to Mestre Bimba: Corridos de Capoeira Regional — Mestre Acordeon with his students
  • Cavalaria — Mestre Suassuna & Dirceu
  • Luana É — Mestre Suassuna & Dirceu
  • Pisa Caboclo — Mestre Suassuna & Dirceu
  • Quando Eu Morrer, Disse Besouro — Mestre Suassuna & Dirceu

Who governs Capoeira

Federations, councils and examining bodies with a recorded role in this style. No single organization can tell you this — each one knows only itself.

Capoeira on screen

Films and television where Capoeira appears, with the sequences worth watching for.

Poster artwork from TMDB.

TMDBThis site uses TMDB and the TMDB APIs but is not endorsed, certified, or otherwise approved by TMDB.

Sources & Further Reading

Cultural & Historical Context

Capoeira emerged from Brazil during the 1650s—present day. Understanding the cultural roots, musical traditions, and social circumstances of this era enriches appreciation for the dance's characteristics and significance.

Primary Source Documents

The Library of Dance contains public-domain primary sources for dance history. Copyrighted modern syllabi are indexed with purchase links to their respective copyright owners. Search by dance name or codifier to discover primary source documents.

Last reviewed: November 2026 — This dance profile synthesizes historical research, cultural documentation, and contemporary practice knowledge to provide authoritative context.

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