Maurice Béjart
Legend of Dance
Why They Matter
Béjart combined ballet with modern dance, jazz, acrobatics and electronic sound, using theatrical scale and familiar music to reach broad audiences. The Kyoto Prize citation emphasizes both his influence on twentieth-century dance and his role in training later artists through Mudra.
Biography
Maurice Béjart was a French choreographer, dancer, company director, and filmmaker who fundamentally reshaped theatrical dance in the second half of the twentieth century. Born in Marseille on January 1, 1927, he began his dance career in Vichy in 1946, working with choreographers Janine Charrat and Roland Petit, and with London's International Ballet. A 1949 Swedish tour with the Cullberg Ballet exposed him to choreographic expressionism that would inform his artistic voice.
Béjart founded Les Ballets de l'Étoile and established his choreographic identity with *Symphonie pour un homme seul* in 1955. His 1959 *Le Sacre du printemps* secured an international reputation and led directly to the founding of the Ballet du XXe Siècle in Brussels in 1960. Over the following decades, the company premiered large-scale works including *Boléro* (1961), *Messe pour le temps présent* (1967), and *The Firebird* (1970), touring internationally and reaching audiences far beyond the ballet world.
Béjart's distinctive practice synthesized classical ballet, modern dance, jazz, and acrobatics into a hybrid theatrical language. He used massed ensembles as dramatic and spatial forces, positioned solo figures as ritual and symbolic focal points, and paired movement with electronic sound and familiar music to maximize theatrical impact. In 1987, the Ballet du XXe Siècle relocated to Lausanne and became Béjart Ballet Lausanne. In 1992, he founded the École-Atelier Rudra Béjart Lausanne as a training ground for the next generation. Béjart died in Lausanne on November 22, 2007.
Legacy & Impact
Béjart's synthesis of ballet with modern dance, jazz, acrobatics and theatrical scale created a model of popular contemporary ballet that influenced dancers and choreographers worldwide. His training institutions, particularly the Rudra Béjart school, carried his pedagogical vision forward. Dancers trained in his approach continue to work across the spectrum from classical to experimental practice, and his major works remain touchstones for understanding late-twentieth-century dance's expansion beyond ballet's traditional vocabulary.
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