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Michele Byrd Mcphee

Legend of Dance

2000s

Why They Matter

Byrd-McPhee’s legacy is the infrastructure she has built around women’s participation in Hip-Hop—not only performances, but training, jobs, archives, mentoring, physical space and academic recognition. Her work insists that street and club dance history is carried in bodies and communities, and that

Biography

Michele Byrd-McPhee is a dancer, choreographer, cultural organizer and educator whose work centers Black and Brown women's authorship, histories and lived expertise in street and club dance culture. She holds a bachelor's degree from Temple University and a master's degree in nonprofit arts management from Drexel University, and has held production roles at the Brooklyn Academy of Music and *Late Night with Seth Meyers*.

Byrd-McPhee began organizing women street dancers in Philadelphia after encountering a lack of sisterhood and representation in male-dominated Hip-Hop spaces. That response led to the founding of Ladies of Hip Hop, which traces its organizational history to 2004. As founder and executive director, she has built Ladies of Hip Hop into a platform that empowers girls and women while preserving Hip-Hop through a female lens, supported by the LOHH Dance Collective, which brings freestyle, cipher and call-and-response practices into proscenium performance while resisting the idea that concert presentation must sever street and club forms from their communities.

In 2008 the Leeway Foundation awarded Byrd-McPhee an Art and Change Grant and a Transformation Award, marking early recognition of work that combined choreography with structural advocacy. In 2020 she received the University of Wisconsin–Madison's Integrated Arts Residency Fellowship and created the course *Hip-Hop, Women and the World*. From 2021 through 2024, a partnership with SNIPES USA supported a woman-led, woman-owned and women-focused New York street-dance and arts studio. Her Black Dancing Bodies project began collecting and staging the contributions of Black women in street and club dance.

In 2023 the New York Dance and Performance Awards honored Byrd-McPhee for Outstanding Service to the Field. That year she was also represented in Philadelphia's permanent *Know the Elements* mural, created by Christian "TAME ARTZ" Rodriguez and Bill Strobel for Hip-Hop's fiftieth anniversary. By 2025 Byrd-McPhee had joined the University of Massachusetts Amherst as Assistant Professor of Dance, where her teaching includes Hip-Hop dance, Black performance theory, street and club dance histories, cultural studies and entrepreneurship for artists. In 2024 she began a research fellowship at NYU's Center for Ballet and the Arts to develop Black Dancing Bodies.

Career Highlights

2004

Ladies of Hip Hop traces its organizational history to this year; Byrd-McPhee founded the platform and continues as executive director. Ladies of Hip Hop

2008

The Leeway Foundation awarded her an Art and Change Grant and a Transformation Award for work centering women in Hip-Hop dance. Leeway Foundation

2020

She received UW–Madison’s Integrated Arts Residency Fellowship and developed Hip-Hop, Women and the World. UW–Madison

2021

The three-year LOHH + SNIPES Studio partnership began, creating a woman-led street-dance and arts space in New York. Ladies of Hip Hop

2023

She received a Bessie Award for Outstanding Service to the Field of Dance. 2023 Bessie Awards

2023

Christian “TAME ARTZ” Rodriguez and Bill Strobel included her in Philadelphia’s Know the Elements Hip-Hop mural. Axios Philadelphia

2024

Ladies of Hip Hop marked its twentieth anniversary; the Dance Collective toured Black Dancing Bodies Project: SpeakMyMind. WAMC

2024

Byrd-McPhee began a 2024–2025 research fellowship at NYU’s Center for Ballet and the Arts to develop Black Dancing Bodies. Ladies of Hip Hop

2025

UMass Amherst welcomed her as Assistant Professor of Dance. UMass Amherst

Legacy & Impact

Byrd-McPhee has built infrastructure around women's participation in Hip-Hop that extends far beyond performance: training, employment, archival practice, mentorship and academic recognition. Her work insists that street and club dance history is carried in bodies and communities, and that preservation must include the authority of Black women to name, teach and frame their own practices. Ladies of Hip Hop functions simultaneously as a dance organization, a living archive and a corrective to persistent inequities in the field.

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