Paul Taglioni
Legend of Dance
Why They Matter
Paul Taglioni represents a crucial but often overlooked figure in ballet history: the choreographer-adapter and ballet master who preserved and transformed the Romantic repertory as it moved between cities and theatres. His approach to La Fille mal gardée and Don Parasol shows how…
Biography
Paul Taglioni (1808–1884) was an Austrian dancer, choreographer, ballet master, and director who shaped nineteenth-century European ballet through institutional leadership and repertory adaptation. Born in Vienna, he came from a family central to Romantic ballet: his father was Filippo Taglioni, his sister was Marie Taglioni, and he trained under Jean-François Coulon. Taglioni's career spanned major European opera houses, including Her Majesty's Theatre in London and Berlin's Royal Opera, where he served as ballet master.
His major work lay in reviving and reworking existing ballets for new contexts and audiences. In 1864, Taglioni adapted the choreography of *La Fille mal gardée*—originally created by Jean Dauberval and reworked by Jean-Louis Aumer—for Berlin's Königliches Opernhaus, commissioning a new score from composer Peter Ludwig Hertel. This approach to repertory as a living, adaptable practice was characteristic of his method. Taglioni also collaborated with Hertel on *Don Parasol*, a ballet-fantastique in three acts and seven scenes that appeared in print in 1869, documented in Italian theatrical records.
Though the exact contours of his personal movement vocabulary remain difficult to recover from available sources, Taglioni's influence lay in his dual role as both performing artist and institution-builder. His work as ballet master and director at Berlin's Royal Opera positioned him as a keeper and transmitter of the Romantic ballet tradition during a period of significant change in European dance. He died in Berlin in 1884.
Legacy & Impact
Paul Taglioni represents a crucial but often overlooked figure in ballet history: the choreographer-adapter and ballet master who preserved and transformed the Romantic repertory as it moved between cities and theatres. His approach to *La Fille mal gardée* and *Don Parasol* shows how nineteenth-century ballet was sustained not through fixed texts but through skilled reworking and recontextualization. For dancers and historians today, Taglioni's career illuminates the vital work of institutional leadership in ballet—the roles of ballet master and director that kept the art alive between the great premieres.
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