Community Builder · Cultural Preserver
Randy Tinker Smith
Ballet producer
Why They Matter
Smith matters because she made cultural accountability part of dance production and then converted a successful ballet into local arts infrastructure. Her elder consultations, collaborative credit structure, and attention to limits on what should be staged offer a model for Indigenous-centered histo
Watch
Wahzhazhe: An Osage Ballet
Smithsonian National Museum of the American Indian
Authoritative full record of Smith's defining production and collaborators
An Osage Ballet — Wahzhazhe
Stillwater Oklahoma municipal channel
Includes commentary from Randy Tinker Smith about the production
Biography
Randy Tinker Smith is a ballet producer, director, and arts administrator who created *Wahzhazhe: An Osage Ballet*, a landmark work about Osage history and displacement. An Osage Nation citizen with Osage and Cherokee descent, Smith's path to ballet production drew from her background as a musician, interior design studies, family business experience, and theatrical work. While employed at the Osage Nation Museum around 2000, she encountered composer Lou Brock's music cycle *The Journey* and proposed adapting it into a ballet narrative.
Smith spent approximately a year developing a one-hour storyline spanning pre-contact Osage life, removal from Missouri through Kansas to Oklahoma, boarding schools, oil wealth, violence, and contemporary continuity. Her process was rooted in community accountability: she interviewed roughly fifty Osage elders repeatedly, determining what could be staged and what should remain private. Her daughter Jenna Smith choreographed the ballet; Lou Brock and Joseph Rivers created and arranged music; Roman Jasinski advised; and Wendy Ponca, Terry Wann, Alexandra Ponca Stock, dancers, and other artists contributed costumes, scenery, and performance. The result was a coordinated community production rather than a single author's claim on Osage history.
*Wahzhazhe: An Osage Ballet* began performing in 2012 and was presented and recorded by the Smithsonian National Museum of the American Indian on March 23, 2013. A scene from the ballet was later performed at the 2015 Festival of Families during Pope Francis's Philadelphia visit. Smith chose ballet as a form partly because of the legacy of Maria and Marjorie Tallchief, while insisting that Osage people control representation of their own history.
Smith built lasting institutions around the ballet's success. Dance Maker Performing Arts Academy opened in Pawhuska in 2014, and Art Maker was established in 2015 as an umbrella organization for arts education, culture, and community programs. More than half of Dance Maker students have participated on scholarships. The academy has sustained annual performances of *Wahzhazhe*, a spring showcase, and *The Nutcracker*, creating ongoing opportunities for Osage youth beyond touring productions. By 2022, *Wahzhazhe* marked ten years in performance after pandemic disruption. In 2024, Art Maker received support through the National Endowment for the Arts' ArtsHERE initiative to strengthen planning, school engagement, teaching capacity, and audience development.
Career Highlights
Encounters Lou Brock's The Journey while working with Osage Nation Museum photographs and proposes a ballet. Osage Nation
Interviews approximately fifty Osage elders and develops a one-hour historical storyline. Osage Nation
Wahzhazhe: An Osage Ballet enters performance, according to the 2022 tenth-anniversary account. Osage News
Produces the Smithsonian NMAI presentation and recording of Wahzhazhe. Smithsonian NMAI
Helps open Dance Maker Performing Arts Academy in Pawhuska. Osage News
Presents a scene from Wahzhazhe at the Festival of Families in Philadelphia. Osage Nation
Establishes Art Maker as an umbrella organization supporting arts and community programs. NEA
Mounts tenth-anniversary Wahzhazhe performances after pandemic interruption. Osage News
Art Maker is selected for the NEA's ArtsHERE capacity-building initiative. NEA
Legacy & Impact
Smith's significance lies in fusing cultural accountability with ballet production and converting a successful premiere into enduring community infrastructure. Her elder consultations, collaborative credit structure, and thoughtful boundary-setting around what should be staged offer a model for Indigenous-centered historical performance. Art Maker and Dance Maker Academy extend this approach through scholarships, teaching, and recurring community engagement, demonstrating how dance can serve youth and cultural continuity in Osage County.
Explore More Legends
Discover the dancers, teachers, choreographers, and cultural icons who shaped how the world moves.
Keep the thread going
Dance history, technique, and the occasional rabbit hole — in your inbox. Thoughtful, infrequent, unsubscribe anytime.
Free. No spam. One click to leave.