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Performer · Choreographer

Ysabelle Capitulé

Dancer

2020s

Why They Matter

Capitulé's significance lies in her ability to bridge commercial, concert, and social dance ecosystems. She demonstrates how a dancer trained in classical and hip-hop vocabularies can create material that functions equally well in a music video, on a festival stage, or as a TikTok template for…

Known For

DancerChoreographerDance teacher

Biography

Ysabelle Capitulé is a Bay Area dancer, choreographer, and teacher who has shaped commercial and social dance across multiple platforms. She began training in ballet, jazz, and hip-hop, working with instructor Tony Tzar to develop her multistyle foundation. Her career spans television, music video, and gaming: she has appeared on PBS Kids programming, the BET Awards, and *The Ellen DeGeneres Show*, and choreographed for Willow Smith's *Whip My Hair* music video, the *Just Dance* video game series, and Bruno Mars and Cardi B's *Finesse* music video. Beyond screen work, Capitulé creates choreography for live performance artists and teaches internationally. Her approach moves fluidly between formal concert stages and social platforms—most notably when her breakdown to Trillville's "Some Cut" became a viral social-dance challenge in 2022, which she had originally created for Victoria Monét's festival performances. This crossover between choreography for established artists and participatory social dance has made her work accessible to dancers at all levels.

Legacy & Impact

Capitulé's significance lies in her ability to bridge commercial, concert, and social dance ecosystems. She demonstrates how a dancer trained in classical and hip-hop vocabularies can create material that functions equally well in a music video, on a festival stage, or as a TikTok template for thousands of dancers. Her work shows that choreography made for screens and social platforms can carry real artistic intention and reach, and that the division between "professional" and "social" dance is increasingly permeable. For emerging dancers and choreographers, her career models how to move between contexts without sacrificing artistry.

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