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Yvonne Smink

Legend of Dance

2010s

Why They Matter

Smink’s importance lies in the bridge she builds between pole’s competitive, pedagogical, and theatrical worlds. Her career demonstrates that high-difficulty pole vocabulary can support personal storytelling and contemporary performance without losing its athletic specificity. Her self-directed…

Biography

Yvonne Smink is a Dutch pole artist who brought competition virtuosity into theatrical and contemporary performance contexts. Her path to pole dance was unconventional: she came through outdoor sport and climbing rather than a dance school pathway. After beginning pole practice in 2011, Smink reached the finale of RTL 4's *Everybody Dance Now* in 2013, and by 2014 had earned the Dutch Pole Champion title. Her competition work was notably self-authored. She told *Rúdvilág* magazine that she created her own choreography because she wanted the emotions onstage to come from her own experience, rather than following a prescribed style.

Smink's competition success reflected this authorial approach. In 2016, she won both the professional Classique category and the overall title at Pole Theatre Paris; two years later, Pole Ranking's results recorded her as the professional Art winner at Pole Theatre UK. Her movement drew on a wide range of influences—climbing, Chinese pole, breakdance, and contemporary dance—which she wove together into what she called "experimental flow": a practice centered on connected, fluid transitions rather than isolated tricks.

Alongside competition, Smink built an international teaching and judging career. She travels to give workshops and judge major competitions, including faculty positions at International Pole Camp and the Pole Masters championship. Her teaching emphasizes momentum, rotation, and transitions on static pole, grounded in the body awareness developed through her climbing background.

The 2023 theatre work *Poles* marked a significant contextual shift. Choreographer Guilherme Miotto created the solo for Smink, with live soundscape by Isaac Poels and steel-pipe scenography designed by Anne Habermann. Rather than presenting pole vocabulary as competition material, the production frames Smink's virtuosity as a means to investigate trust, intimacy, and public space. The work premiered on 14 November 2023 at Theater De Nieuwe Vorst in Tilburg and has continued to circulate through international venues, bridging pole culture, dance, circus, and physical theatre.

Career Highlights

2011

Began pole dancing after a friend took her to a class. ISH Dance Collective

2013

Reached the live final of RTL 4’s Everybody Dance Now among eight dance acts. RTL

2014

Identified by OpenDance Academy as Dutch Pole Champion after defending her national title. OpenDance Academy

2016

Won the professional Classique category and overall title at Pole Theatre Paris. PoleFreaks

2016

Served as a judge and showcase performer at the International Pole Art Festival and articulated her “experimental flow” approach in an interview. Rúdvilág

2017

Taught a documented “Static FLOWS” workshop in Berlin; the event bio also identified her as owner of the Dutch school Vertical Balance. Pole Flow Berlin

2018

Won the professional Art category at Pole Theatre UK. Pole Ranking

2019

Joined the faculty of International Pole Camp, reflecting an established international teaching and judging career. X-POLE

2023

Performed the premiere of Guilherme Miotto’s Poles on 14 November at Theater De Nieuwe Vorst in Tilburg. Corpo Máquina

2026

Listed as a special guest at Pole Masters and as the performer in Poles at the Edinburgh Festival Fringe. Pole Masters

Legacy & Impact

Smink's significance lies in demonstrating that pole dance can move fluidly between competition, pedagogy, and contemporary theatre without losing its athletic specificity or authorial voice. Her self-directed competition pieces foreground personal storytelling; her international workshops distribute practical knowledge; and *Poles* places a pole specialist at the center of collaborative performance that examines space and spectatorship. This breadth—competition judge, teacher, and theatre performer working at the same artistic level—has widened how pole dance can be recognized within dance history and practice.

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