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David Parsons

Legend of Dance

1950sAmerican. University of Washington Dance

Why They Matter

Parsons helped sustain an American touring model in which contemporary dance is technically ambitious, theatrically immediate, and institutionally durable. Caught is a canonical lesson in interdisciplinary precision, while the company's broader repertory demonstrates how athletic modern dance can…

Biography

David Parsons is an American dancer, choreographer, and artistic director whose athletic, theatrical repertory brought contemporary dance to broad touring audiences. Raised in Kansas City, Missouri, Parsons moved to New York at seventeen on scholarship to The Ailey School, then entered the Paul Taylor Dance Company as an understudy in 1978. Over the next nine years, he became a leading dancer, performing roles Taylor created to showcase his speed, attack, elevation, and stage presence, including parts in *Arden Court*, *Last Look*, and *Roses*.

While still with Taylor, Parsons began choreographing. His 1982 solo *Caught* became his signature work. Using precisely timed strobe lighting, a dancer appears repeatedly suspended in midair, turning jump technique and light into a cinematic sequence perceived live. The effect depends on athletic consistency and on close collaboration between choreography and lighting design—a partnership that would become central to Parsons' artistic vision.

In 1985, Parsons and lighting designer Howell Binkley co-founded Parsons Dance. The company developed an energized ensemble repertory and an extensive touring profile, with performances reported across more than 445 cities, 30 countries, and five continents. Parsons concluded his tenure with the Paul Taylor Dance Company in 1987 and presented Parsons Dance at Jacob's Pillow's Inside/Out festival that same year.

Parsons has created more than seventy-five works for his company and accepted commissions from major organizations including American Ballet Theatre, New York City Ballet, Alvin Ailey American Dance Theater, American Dance Festival, and Jacob's Pillow. His work extends into large public events and hybrid productions; he co-produced *AEROS*, which featured Romanian gymnasts, and directed and choreographed dance elements for New York's Times Square 2000 celebration.

Across his career, Parsons has pursued audience connection through clarity, musicality, theatrical devices, and physically generous dancing. His honors include the 2000 *Dance Magazine* Award, a 2001 American Choreography Award for his work as co-producer of *AEROS*, and the 2018 Capezio Award. In 2024, Parsons Dance returned to Jacob's Pillow with *Caught* in the announced repertory.

Career Highlights

1977

Moved to New York at seventeen on scholarship to The Ailey School. Alvin Ailey American Dance Theater Alvin Ailey American Dance Theater

1978

Began his leading-dancer tenure with Paul Taylor Dance Company. University of Washington Dance University of Washington Dance

1982

Created Caught, using stroboscopic light to frame repeated jumps as apparent suspension. Jacob's Pillow Jacob's Pillow

1985

Co-founded Parsons Dance with lighting designer Howell Binkley. Parsons Dance Parsons Dance

1987

Concluded his Paul Taylor tenure and presented Parsons Dance at Jacob's Pillow's Inside/Out. Jacob's Pillow Jacob's Pillow

1999

Directed and choreographed dance elements for New York's Times Square 2000 celebration. Dance Consortium Dance Consortium

2000

Received the Dance Magazine Award. Pacific Northwest Ballet Pacific Northwest Ballet

2001

Received an American Choreography Award for work as a co-producer of AEROS. Pacific Northwest Ballet Pacific Northwest Ballet

2018

Received the Capezio Award. Parsons Dance Parsons Dance

2024

Returned with Parsons Dance to Jacob's Pillow, including Caught in the announced repertory. Jacob's Pillow Jacob's Pillow

Legacy & Impact

Parsons sustained an American touring model in which contemporary dance is technically ambitious, theatrically immediate, and institutionally durable. *Caught* stands as a canonical lesson in interdisciplinary precision, demonstrating how choreography and lighting design can merge into a unified artistic statement. The broader Parsons Dance repertory shows how athletic modern dance addresses large and varied audiences without abandoning craft, making his work a touchstone for how touring companies can balance accessibility with artistic integrity.

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