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Dance in Film · 1936

Born to Dance (1936)

Eleanor Powell's star-making MGM musical, in which a Broadway hopeful's dancing is both the subject of the plot and the engine of it. Powell's precision tap carries three major numbers, from her first hoofer entrance to the battleship-scale "Swingin' the Jinx Away" finale, against a Cole Porter score and a young James Stewart singing "Easy to Love".

Born to Dance is a 1936 dance feature film centred on Tap Dance, Musical Theatre Dance. For dancers, it's a chance to see these styles performed on screen — the phrasing, partnering, and musicality that the same dances carry onto a real floor.

Jump to the 3 indexed dance sequences

Dance styles featured

The dance sequences in Born to Dance

3 sequences — what is danced, by whom, and where to find it.

  1. “Easy to Love” park dance

    Screen-musical solo

    Danced by Eleanor Powell; James Stewart · Choreography Eleanor Powell

    The unlikely charm of James Stewart singing while Powell dances their falling-in-love number.

    The park setting lets Stewart’s sung courtship and Powell’s movement carry the romance without interrupting the musical flow.

    Open the film at this point · Stream or rental only — the timestamp is for when you have it playing. No edition-specific timestamp used. TCM explicitly identifies the park-set falling-in-love number but does not name a codified dance style, so the style remains outside the supplied taxonomy. Current-access conflict noted as in the first row.

  2. “Swingin’ the Jinx Away” battleship finale

    Screen-musical production dance

    Danced by Eleanor Powell · Choreography Eleanor Powell; Dave Gould

    Powell dancing her way to stardom across a naval spectacle built as the film’s huge finale.

    The enormous battleship staging scales Nora’s individual virtuosity into a career-making production climax.

    Open the film at this point · Stream or rental only — the timestamp is for when you have it playing. No edition-specific timestamp used. TCM says Powell choreographed her own numbers; AFI separately credits Dave Gould for dance ensembles and notes the battleship choreography’s later reuse. Current-access conflict noted as in the first row.

  3. First Lonely Hearts Club hoofer number

    Tap dance

    Danced by Eleanor Powell · Choreography Eleanor Powell

    The dazzlingly precise hoofer entrance that announces Nora as the film’s star dancer.

    Powell’s first number turns virtuoso footwork into instant character exposition: Nora’s skill is visible before Broadway discovers her.

    Open the film at this point · Stream or rental only — the timestamp is for when you have it playing. No edition-specific timestamp used. TCM identifies Powell as a tap dancer who choreographed her own numbers. Roku listed Apple and Prime rentals on 2026-08-13, while Prime’s direct page said unavailable; Apple’s 1h45 title page was opened.

Poster artwork and title data from TMDB. This site uses TMDB and the TMDB APIs but is not endorsed, certified, or otherwise approved by TMDB.

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