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Nancy Smith

Legend of Dance

1980s

Why They Matter

Smith matters because she joined artistic practice to institution-building. Frequent Flyers gave aerial dance a long-lived company and school; the Aerial Dance Festival gave practitioners a recurring international meeting place; and Aerial Dance supplied a written historical, aesthetic, pedagogical,

Known For

Dance

Watch

Frequent Flyers and Boulder Philharmonic - Appalachian Spring | The Kennedy Center

The Kennedy Center

Documents Frequent Flyers in a nationally presented collaboration and shows how aerial choreography functions inside an orchestral concert work.

Biography

Nancy E. Smith is an American aerial dance choreographer, teacher, and founder of Frequent Flyers Productions, the Boulder, Colorado company that helped establish aerial dance as a distinct dance discipline in the United States. Based in Boulder since 1985, Smith founded Frequent Flyers Productions in 1988 and served as its artistic director. She grounded the company in a dance-based approach to aerial work, emphasizing breath, release, economy of movement, expressive line, and the translation of grounded dance phrasing into suspended space.

Smith built Frequent Flyers into an educational and presenting institution. The organization incorporated as a nonprofit in 1990 and expanded to include community classes, pre-professional training, and the Kids Who Fly outreach program serving youth through schools and community partners. In 1999 Smith founded the international Aerial Dance Festival in Boulder, creating a recurring gathering where practitioners could teach, perform, compare methods, and develop a shared field. By 2019 the festival had grown into a two-week international program.

In 2008 Smith and Jayne C. Bernasconi published *Aerial Dance* through Human Kinetics, a volume that integrated modern and postmodern dance history with aesthetics, pedagogy, anatomy, injury prevention, and rigging safety. The book established aerial dance as a coherent field with both artistic and technical foundations. Smith's own choreography entered major presenting contexts: in March 2017 Frequent Flyers collaborated with the Boulder Philharmonic on Aaron Copland's *Appalachian Spring* at the Kennedy Center in Washington, D.C. She continued to direct company work, including the 2022 production *Transformation in the Calling*, while teaching aerial release approaches, low-flying trapeze, invented apparatus, and Skinner Releasing Technique.

Career Highlights

1985

Smith established her professional base in Boulder, Colorado, according to her Frequent Flyers festival biography. Frequent Flyers festival biography

1988

She founded Frequent Flyers Productions and became its artistic director. Frequent Flyers

1990

Frequent Flyers incorporated as a nonprofit, as documented in the organization’s official Vimeo profile. official Vimeo profile

1999

Smith founded the international Aerial Dance Festival in Boulder. Colorado Public Radio

2001

Frequent Flyers’ Kids Who Fly outreach program began serving youth through schools and social-service partners. Community Foundation Boulder County

2008

Human Kinetics published Aerial Dance, co-authored by Jayne C. Bernasconi and Nancy E. Smith. Google Books catalog

2016

The National Endowment for the Arts published an extended interview with Smith after awarding Frequent Flyers an Art Works grant supporting the festival. NEA

2017

Frequent Flyers and the Boulder Philharmonic performed Appalachian Spring at the Kennedy Center in Washington, D.C.. Kennedy Center

2022

Smith served as artistic director of Frequent Flyers’ Transformation in the Calling. Frequent Flyers production page

2026

Frequent Flyers listed Smith as active faculty for the 28th Aerial Dance Festival, teaching invented apparatus and low-flying trapeze with releasing-technique principles. 2026 faculty page

Legacy & Impact

Smith's impact rests on joining artistic creation to institution-building. By founding Frequent Flyers, establishing the Aerial Dance Festival, and co-authoring *Aerial Dance*, she created a durable infrastructure—performance venues, training programs, international exchange, and documented knowledge—that enabled aerial dance to develop as a recognized discipline rather than a dispersed set of isolated practices. For dancers today, her work provides both a lineage and a living field of teaching, performance, and artistic development.

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