Kyle Hanagami
Legend of Dance
Why They Matter
Hanagami matters because he helped shift the public position of the commercial choreographer. Rather than remaining an invisible contributor behind a star, he built a recognizable authorship model around classes, dancers, short-form screen composition, and global clients—while showing that those…
Styles Kyle Hanagami shaped
Each one links to the style’s own page — its origins, music, tempo and video.
Watch
Ed Sheeran — Shape of You | Kyle Hanagami Choreography
Kyle Hanagami
Representative direct-to-audience work that centers dancers and choreography
Biography
Kyle Hanagami is a Los Angeles-based choreographer and creative director who helped establish a model in which studio choreography, dancers, and camera craft could reach global audiences alongside major pop, film, television, and brand commissions. He did not initially see himself as a dancer, but developed into a commercial performer, teacher, and choreographer whose early credits included work with Justin Bieber, the Black Eyed Peas, and *The X Factor*.
Hanagami's career grew in two linked arenas. In entertainment commissions, choreography served artists, television formats, brands, and cameras. On his own digital channels, the choreography and dancers became the principal subject. That second arena helped make choreographers more publicly legible and allowed combinations taught in class to circulate as finished screen works.
In 2016, BLACKPINK began working with Hanagami near the group's debut. He contributed to multiple choreographies across their career, though individual songs often have several choreographers and should always be credited work by work. His K-pop work reached enormous audiences, including the 2019 "Kill This Love" choreography, co-created with Kiel Tutin. He continued across television, brands, film, and music clients, with CAA listing credits spanning *Dancing with the Stars*, *America's Got Talent*, *World of Dance*, global brands, and artists including Jennifer Lopez, Britney Spears, and Nick Jonas.
By 2024, his body of work demonstrated that the choreographer's name, dancers, and studio process could themselves anchor a media brand. His choreography combines musical detail, fast changes between fluid and sharply accented textures, asymmetrical pathways, and camera-aware formations—work conceived simultaneously for dancers in a room and viewers on a screen.
Career Highlights
Dance Spirit profiled him after performance work with Justin Bieber and the Black Eyed Peas and choreography for The X Factor. Dance Spirit Dance Spirit
Began a long-running choreographic relationship with BLACKPINK around the group's debut. Dance Magazine Dance Magazine
Published his “Shape of You” studio choreography film, which became one of his defining direct-to-audience works. Official YouTube Official YouTube
Co-choreographed BLACKPINK's “Kill This Love” with Kiel Tutin. Dance Spirit Dance Spirit
Billboard profiled his influence at the intersection of commercial choreography and YouTube dance culture. Billboard Billboard
Shared choreography credit on BLACKPINK's “Shut Down” with Kiel Tutin, Taryn Cheng, and Lee Jung. “Shut Down” overview) “Shut Down” overview
Choreographed the musical film Mean Girls. Dance Magazine Dance Magazine
Dance Magazine published a career retrospective emphasizing his cross-platform model. Dance Magazine Dance Magazine
Works
3 stage works credited to Kyle Hanagami.
- Girls choreographyBallet · Choreographer
- Lovesick Girls choreographyBallet · Choreographer
- Spicy choreographyBallet · Choreographer
Credits sourced from Wikidata (CC0), one citation per field. Works without a recorded premiere date are listed last. Titles link to the work in Limelight.
Legacy & Impact
Hanagami matters because he shifted the public position of the commercial choreographer from invisible contributor to recognizable author. By building authorship around classes, dancers, short-form screen composition, and global clients—while showing those arenas could reinforce one another—he demonstrated a sustainable model that dancers and choreographers continue to follow.
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