
Innovator · Performer · Cultural Preserver · Teacher
Popin' Pete
Electric Boogaloo Legend
Why They Matter
He helped create one of the foundational street dance styles that influenced all of hip-hop dance culture and pop music choreography worldwide.
Known For
Watch
The Hip-Hop Dance Craze Born in Fresno
KQED
Institutional reporting connects Pete’s 1979 Soul Train appearance to Fresno’s broader dance history and explicitly notes contested origins.
Interview with Popin Pete & Suga Pop
Dance Channel TV
Pete and Suga Pop discuss the crew’s history and terminology in their own words.
Electric Boogaloos at Breakin' Convention 2005
Breakin’ Convention BCTV
Shows the Electric Boogaloos’ mature ensemble practice on an institutional hip-hop-theatre platform.
Popin Pete Breakin' Convention Pioneers 2011 — Pete Loves to Talk
Breakin’ Convention BCTV
Documents Pete in the Pioneers program and foregrounds his role as storyteller and teacher.
Popin’ Pete: Harlem Funk Renaissance
Breakin’ Convention BCTV
A polished portrait of Pete adapting his musicality and character to Harlem streets and camera framing.
Chris Brown — Yeah 3x (Official Video)
Chris Brown / VEVO
Contains Pete’s named storefront sequence and documents his recognition within mainstream pop choreography.
Biography
Timothy Earl Solomon, known professionally as Popin' Pete, is a first-generation member of the Electric Boogaloos and a foundational figure in the transmission of popping and funk-style dance from Fresno, California to global audiences. Growing up in Fresno in the 1970s, Pete watched *Soul Train*, practiced the robot, and learned closely from his older brother Sam Solomon, later known as Boogaloo Sam. In 1978, Pete began learning popping from Sam and joined the Electric Boogaloos' first generation during a period when the group was consolidating a vocabulary that combined rhythmic muscular hits, robot-derived illusion, posing, footwork, and the rolling, fluid articulation of boogaloo style. He credits popping as his initial focus before tackling boogaloo, which he found more challenging at first.
The Electric Boogaloos' 1979 appearance on *Soul Train* marked a watershed moment in Pete's career and the visibility of West Coast funk styles. Don Cornelius introduced "popping or boogaloo" to national television audiences, Sam identified himself with boogaloo, and Timothy introduced himself as Popin' Pete before demonstrating popping. That broadcast did not create the dances, but it gave viewers far beyond Fresno a memorable performer, a name, and a visible movement principle. Dance Consortium credits Pete with developing or naming Crazy Legs, ET, Spider Man, and Sleepy Style—innovations that became central to the Electric Boogaloos lineage.
During the 1980s, Pete entered commercial film and music production while remaining associated with the Electric Boogaloos. He appeared as Electro Rock 2 in the 1984 dance film *Breakin'*, and worked within the broader network of Electric Boogaloos members collaborating with major recording artists on music videos and live performances. By the 2010s, his visibility spanned stage, television, music video, teaching, and battle culture. In Chris Brown's official 2010 "Yeah 3x" music video, he appears in a featured storefront sequence labeled "Popin Pete's," a direct homage connecting a contemporary pop star to an older funk-style lineage. In January 2012, the Electric Boogaloos received a Lifetime Achievement Award at the Carnival: Choreographer's Ball—a group honor recognizing their collective impact.
Pete's role increasingly combined performing with historical transmission through the 2020s. Performances and discussions at Breakin' Convention from 2005 onward documented his engagement with international hip-hop-theatre platforms, while school and studio profiles positioned him as a teacher of technique and movement vocabulary. A 2024 Dance Teacher feature emphasized his teaching focus on groove and musical connection. His 2025 documentation as a judge and performer in the AREA UDC showcase confirms continued public practice. These records make his contemporary legacy tangible: not simply a remembered television figure, but an active bearer of technique, musical priorities, and community history.
Career Highlights
Timothy Earl Solomon is reported born on August 5 in Fresno, California; the date is consistent across secondary references but lacks a located primary record. IMDb
Pete begins learning popping from his older brother Boogaloo Sam and joins the Electric Boogaloos’ first generation. Dance Consortium
The Electric Boogaloos make their first Soul Train appearance; Timothy introduces himself as Popin’ Pete and demonstrates popping. KQED
Solomon appears as Electro Rock 2 in the dance film Breakin’. Turner Classic Movies
Pete is associated with the Electric Boogaloos’ Michael Jackson-era commercial work, including Captain EO in standard filmographies; the exact individual function requires production-credit review. IMDb
The Electric Boogaloos perform at Breakin’ Convention, preserved in the presenter’s video archive. Breakin’ Convention BCTV
Pete appears in Breakin’ Convention’s Pioneers program, connecting funk-style history to an international hip-hop-theatre platform. Breakin’ Convention archive
Pete makes a featured appearance with Chris Brown in the official “Yeah 3x” music video. Chris Brown official video
The Electric Boogaloos receive a Lifetime Achievement Award at the Carnival: Choreographer’s Ball; the honor belongs to the group. Carnival historical record
Breakin’ Convention films Pete performing through Harlem for its Funk Renaissance portrait. Breakin’ Convention BCTV
AREA UDC documents Pete as a popping judge and showcase performer, demonstrating continued public practice. AREA UDC
Gallery



Legacy & Impact
Popin' Pete matters because he made a dance principle legible without reducing it to a trick. His name, television demonstration, and decades of performance helped audiences recognize the pop as rhythmic articulation grounded in groove, timing, character, and conversation with music. As an Electric Boogaloos first-generation member, he links Fresno's 1970s funk-dance community to *Soul Train*, Hollywood film, global pop production, international battles, and today's teaching platforms. His legacy remains strongest when shared authorship stays visible: Boogaloo Sam's leadership, Oakland boogaloo traditions, fellow Electric Boogaloos members, the wider Fresno dance community, and later collaborators all belong in any full account of how popping became recognizable to the world.
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