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Popin' Pete

Innovator · Performer · Cultural Preserver · Teacher

Popin' Pete

Electric Boogaloo Legend

Late 20th centuryContemporaryUnited States

Why They Matter

He helped create one of the foundational street dance styles that influenced all of hip-hop dance culture and pop music choreography worldwide.

Known For

Electric BoogaloosPopping originatorElectric boogaloo styleGlobal workshops
Hip-HopSocial Dance

Watch

The Hip-Hop Dance Craze Born in Fresno

KQED

Institutional reporting connects Pete’s 1979 Soul Train appearance to Fresno’s broader dance history and explicitly notes contested origins.

Interview with Popin Pete & Suga Pop

Dance Channel TV

Pete and Suga Pop discuss the crew’s history and terminology in their own words.

Electric Boogaloos at Breakin' Convention 2005

Breakin’ Convention BCTV

Shows the Electric Boogaloos’ mature ensemble practice on an institutional hip-hop-theatre platform.

Popin Pete Breakin' Convention Pioneers 2011 — Pete Loves to Talk

Breakin’ Convention BCTV

Documents Pete in the Pioneers program and foregrounds his role as storyteller and teacher.

Popin’ Pete: Harlem Funk Renaissance

Breakin’ Convention BCTV

A polished portrait of Pete adapting his musicality and character to Harlem streets and camera framing.

Chris Brown — Yeah 3x (Official Video)

Chris Brown / VEVO

Contains Pete’s named storefront sequence and documents his recognition within mainstream pop choreography.

Biography

Timothy Earl Solomon, known professionally as Popin' Pete, is a first-generation member of the Electric Boogaloos and a foundational figure in the transmission of popping and funk-style dance from Fresno, California to global audiences. Growing up in Fresno in the 1970s, Pete watched *Soul Train*, practiced the robot, and learned closely from his older brother Sam Solomon, later known as Boogaloo Sam. In 1978, Pete began learning popping from Sam and joined the Electric Boogaloos' first generation during a period when the group was consolidating a vocabulary that combined rhythmic muscular hits, robot-derived illusion, posing, footwork, and the rolling, fluid articulation of boogaloo style. He credits popping as his initial focus before tackling boogaloo, which he found more challenging at first.

The Electric Boogaloos' 1979 appearance on *Soul Train* marked a watershed moment in Pete's career and the visibility of West Coast funk styles. Don Cornelius introduced "popping or boogaloo" to national television audiences, Sam identified himself with boogaloo, and Timothy introduced himself as Popin' Pete before demonstrating popping. That broadcast did not create the dances, but it gave viewers far beyond Fresno a memorable performer, a name, and a visible movement principle. Dance Consortium credits Pete with developing or naming Crazy Legs, ET, Spider Man, and Sleepy Style—innovations that became central to the Electric Boogaloos lineage.

During the 1980s, Pete entered commercial film and music production while remaining associated with the Electric Boogaloos. He appeared as Electro Rock 2 in the 1984 dance film *Breakin'*, and worked within the broader network of Electric Boogaloos members collaborating with major recording artists on music videos and live performances. By the 2010s, his visibility spanned stage, television, music video, teaching, and battle culture. In Chris Brown's official 2010 "Yeah 3x" music video, he appears in a featured storefront sequence labeled "Popin Pete's," a direct homage connecting a contemporary pop star to an older funk-style lineage. In January 2012, the Electric Boogaloos received a Lifetime Achievement Award at the Carnival: Choreographer's Ball—a group honor recognizing their collective impact.

Pete's role increasingly combined performing with historical transmission through the 2020s. Performances and discussions at Breakin' Convention from 2005 onward documented his engagement with international hip-hop-theatre platforms, while school and studio profiles positioned him as a teacher of technique and movement vocabulary. A 2024 Dance Teacher feature emphasized his teaching focus on groove and musical connection. His 2025 documentation as a judge and performer in the AREA UDC showcase confirms continued public practice. These records make his contemporary legacy tangible: not simply a remembered television figure, but an active bearer of technique, musical priorities, and community history.

Career Highlights

1961

Timothy Earl Solomon is reported born on August 5 in Fresno, California; the date is consistent across secondary references but lacks a located primary record. IMDb

1978

Pete begins learning popping from his older brother Boogaloo Sam and joins the Electric Boogaloos’ first generation. Dance Consortium

1979

The Electric Boogaloos make their first Soul Train appearance; Timothy introduces himself as Popin’ Pete and demonstrates popping. KQED

1984

Solomon appears as Electro Rock 2 in the dance film Breakin’. Turner Classic Movies

1986

Pete is associated with the Electric Boogaloos’ Michael Jackson-era commercial work, including Captain EO in standard filmographies; the exact individual function requires production-credit review. IMDb

2005

The Electric Boogaloos perform at Breakin’ Convention, preserved in the presenter’s video archive. Breakin’ Convention BCTV

2008

Pete appears in Breakin’ Convention’s Pioneers program, connecting funk-style history to an international hip-hop-theatre platform. Breakin’ Convention archive

2010

Pete makes a featured appearance with Chris Brown in the official “Yeah 3x” music video. Chris Brown official video

2012

The Electric Boogaloos receive a Lifetime Achievement Award at the Carnival: Choreographer’s Ball; the honor belongs to the group. Carnival historical record

2017

Breakin’ Convention films Pete performing through Harlem for its Funk Renaissance portrait. Breakin’ Convention BCTV

2025

AREA UDC documents Pete as a popping judge and showcase performer, demonstrating continued public practice. AREA UDC

Gallery

Popin’ Pete standing with his arms open beneath the Popin Pete’s storefront sign during filming of Chris Brown’s Yeah 3x video in 2010.
Popin’ Pete wearing glasses and yellow headphones at an outdoor event in March 2012.
Close-up portrait of Popin’ Pete smiling.
Popin’ Pete on the 2010 set of Chris Brown’s “Yeah 3x,” beneath the storefront sign used for his featured sequence. Photo: Tim70. CC BY-SA 3.0 · source
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Legacy & Impact

Popin' Pete matters because he made a dance principle legible without reducing it to a trick. His name, television demonstration, and decades of performance helped audiences recognize the pop as rhythmic articulation grounded in groove, timing, character, and conversation with music. As an Electric Boogaloos first-generation member, he links Fresno's 1970s funk-dance community to *Soul Train*, Hollywood film, global pop production, international battles, and today's teaching platforms. His legacy remains strongest when shared authorship stays visible: Boogaloo Sam's leadership, Oakland boogaloo traditions, fellow Electric Boogaloos members, the wider Fresno dance community, and later collaborators all belong in any full account of how popping became recognizable to the world.

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