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Jose Greco

Jose Greco

Legend of Dance

1910s

Why They Matter

Greco's importance lies in scale, circulation and mediation. His company made Spanish theatrical dance a commercially powerful international attraction while film and television appearances extended that reach beyond dance audiences. The company also employed and exposed viewers to multiple…

Known For

Dance

Biography

José Greco, born Costanzo Greco on 23 December 1918 in Montorio nei Frentani, Italy, became an international star who brought Spanish theatrical dance to mass audiences across concert halls, Broadway, television and film. After spending part of his childhood in Seville, Greco's family settled in Brooklyn, New York around 1928, placing him within an immigrant performance world from which he launched his professional career in 1937. In the early 1940s, he joined La Argentinita, the renowned Encarnación López, as featured male dancer and partner. Following her death in 1945, he continued working with her sister Pilar López, touring in Europe and the Americas with companies that fused flamenco with the broader repertory of Spanish theatrical dance.

By 1949, Greco had established his own ensemble, the José Greco Spanish Dance Company, which became the major vehicle through which audiences outside Spain encountered Spanish dance. The company's repertory combined flamenco, regional Spanish forms and theatrical staging, with works including *El Cortijo*, *Bolero*, *La Castellana* and *Andalucía Flamenca*. Extensive international tours cemented his prominence, and his visibility expanded across multiple media: he appeared in films including *Sombrero* (1953), *Around the World in 80 Days* (1956) and *Ship of Fools* (1965), while television appearances brought Spanish dance into American popular entertainment formats. This multimedia presence was exceptional for a male dancer of his period working in flamenco-centered repertory.

In the 1970s, Greco and Nana Lorca founded the José Greco Foundation for Hispanic Dance and opened the Centro de Arte Español in Marbella. He published his autobiography *The Gypsy in My Soul* in 1977 and later returned to touring with members of his family while teaching at Franklin & Marshall College in Lancaster, Pennsylvania. Greco remained active in dance education until the late 1990s and died on 31 December 2000 at his Lancaster home.

Career Highlights

1937

Began his professional dance career in New York. Washington Post/AP

1941

Joined La Argentinita as partner and featured male dancer for an American tour. Washington Post/AP

1945

After La Argentinita's death, continued with Pilar López's company. The Guardian

1949

Established his own Spanish-dance company, according to contemporary retrospective accounts. The Guardian

1951

Opened a London season at Sadler's Wells and was named a New Broadway Personality of the Year. The Guardian

1953

Appeared in the film Sombrero. Washington Post/AP

1956

Appeared with his troupe in Around the World in 80 Days. IMDb

1965

Appeared in the film Ship of Fools. IMDb

1970s

Co-founded the José Greco Foundation for Hispanic Dance with Nana Lorca. NYPL graphic materials

1977

Published The Gypsy in My Soul. NYPL graphic materials

1990s

Taught dance at Franklin & Marshall College after returning to touring with members of his family. NYPL graphic materials

Gallery

José Greco posed at the Pasadena Civic Auditorium in 1975
José Greco during a 1975 farewell engagement at Pasadena Civic Auditorium. Photo: Larry Bessel / Los Angeles Times Photographic Collection at UCLA Library. CC BY 4.0 · source

Legacy & Impact

Greco's legacy rests on the scale and reach of his enterprise. His company made Spanish theatrical dance a commercially powerful international attraction while expanding audiences far beyond traditional dance venues through film and television. By employing multiple Spanish-dance specialists and establishing his foundation and family company, Greco connected celebrated performance to training and institutional continuity. His archive demonstrates that mid-century theatrical Spanish dance was a hybrid form combining regional, flamenco and staged elements—a model that shaped how Spanish dance circulated globally and how it was taught.

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