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Emilio Austin Jr

Legend of Dance

1980sAmerican. NYU Steinhardt

Why They Matter

Stretch matters because he helped turn freestyle hip-hop knowledge from clubs, crews and music-video sets into a teachable professional practice while remaining connected to improvisation and musicality. His career is a bridge between New York's late-1980s social-dance ecosystem and the global…

Styles Emilio Austin Jr shaped

Each one links to the style’s own page — its origins, music, tempo and video.

Watch

Buddha Stretch aka The Father of Hip Hop Dance — Interview Pt. 1

Step x Step Dance

Long-form first-person discussion of Stretch's career and hip-hop perspective

Buddha Stretch talks about MOPTOP, Life, Music, Dance, and Hip Hop

archival interviewer channel

First-person context on crew formation and artistic values

Buddha Stretch - Elite Force Crew - Interview

dance interview publisher

Documents Elite Force identity and Stretch's professional method

Biography

Emilio Austin Jr., known professionally as Buddha Stretch, is a Brooklyn-born choreographer, dancer and teacher who brought freestyle hip-hop from New York clubs into music videos, concert tours and mainstream studio instruction. Raised in Brooklyn with early encouragement from his father, Emilio Austin Sr., a dancer himself, Stretch learned his craft through the social spaces and hip-hop culture of the city rather than a conservatory path. His first music-video appearance was Eric B. & Rakim's "Eric B. Is President" in 1986. Through an audition for Diana Ross's "Working Overtime," he met dancers who would become the Mop Top crew, a group that practiced at venues including the Tunnel and developed a freestyle language responsive to changing hip-hop and house music. Stretch's choreography work began with Joeski Love's "Pee-Wee's Dance" and expanded to include Michael Jackson's "Remember the Time" in 1992, the same year Elite Force formed with Stretch, Henry Link McMillan and Jamel "Loose Joint" Brown as its foundation. Throughout the 1990s, Stretch and Elite Force gained visibility through videos and tours for Mariah Carey, TLC and Will Smith, earning MTV recognition for work on "Men in Black," "Gettin' Jiggy wit It" and "Miami." In 1989, Stretch became the first hip-hop dancer to teach the form at a mainstream dance studio when he began classes at Broadway Dance Center. His teaching and international workshops have positioned freestyle as a musical and cultural practice rooted in improvisation and musicality rather than as a fixed sequence of commercial steps.

Career Highlights

1986

Appeared in Eric B. & Rakim's “Eric B. Is President,” identified by NYU as his first music video. NYU Steinhardt NYU Steinhardt

1989

Began teaching hip-hop at Broadway Dance Center, described by NYU as a mainstream-studio first. NYU Steinhardt NYU Steinhardt

1989

Met future Mop Top colleagues through Diana Ross's “Working Overtime” video production. NYU Steinhardt NYU Steinhardt

1992

Contributed to Michael Jackson's “Remember the Time”; Elite Force traces its formation to that set. Elite Force Elite Force

1995

Elite Force's expanded lineup included Ejoe Wilson, reflecting the crew's growing house-dance dimension. Elite Force Elite Force

1996

Elite Force toured with Mariah Carey as its membership expanded. Elite Force Elite Force

1997

Choreography for Will Smith's “Men in Black” brought major awards visibility. NYU Steinhardt NYU Steinhardt

1998

Continued Will Smith collaborations during the “Gettin' Jiggy wit It” and “Miami” period. NYU Steinhardt NYU Steinhardt

2026

Inducted by Street Dance Roots' Hall of Fame project, which documented his role in freestyle hip-hop lineage. Street Dance Roots Street Dance Roots

Legacy & Impact

Buddha Stretch remains essential to dancers and choreographers because he established a bridge between New York's late-1980s social-dance ecosystem and the global commercial dance industry. His work demonstrated that freestyle hip-hop—born in clubs and crews—could be taught, preserved and expanded without losing its improvisational foundation and connection to music. His influence shapes how hip-hop and freestyle are understood and practiced in studios, videos and performances worldwide.

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