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George William Faison

Legend of Dance

1600sAmerican. PBSFree to Dance

Why They Matter

Faison matters because his career demonstrates that Black concert-dance experience and Broadway scale need not be separate artistic worlds. His Tony-winning The Wiz choreography was a historic institutional breakthrough, while Suite Otis, Slaves and his Ailey connection situate him inside a longer…

Watch

Exploring 'The Wiz' with Choreographer George Faison

The New York Public Library

Faison discusses his work while examining archival objects connected to The Wiz.

Biography

George William Faison was born in Washington, D.C., on December 21, 1945. He attended Dunbar High School and studied at Howard University before committing to dance, his formation rooted in Washington's Black cultural institutions and New York training.

Faison joined Alvin Ailey American Dance Theater in 1967 and danced with the company through 1970, a period that grounded him in modern-dance craft joined to African American experience and theatrical directness. He made his Broadway debut as a dancer in *Purlie* in 1970.

In the early 1970s he founded the George Faison Universal Dance Experience and created works including *Suite Otis* and *Gazelle* (1971) and *Slaves*. On Broadway he choreographed *Don't Bother Me, I Can't Cope* in 1972 and supplied ensemble movement for *Via Galactica* that same year, establishing himself as a choreographer able to move fluidly between concert and musical-theatre contexts.

His definitive Broadway breakthrough came with *The Wiz*, which opened in January 1975. Faison choreographed the production and won both the Tony Award and Drama Desk Award for choreography, becoming the first African American choreographer to win a Tony Award. His subsequent Broadway work included co-direction and co-choreography of *1600 Pennsylvania Avenue* in 1976, musical staging for *The Moony Shapiro Songbook* in 1981, choreography for the 1983 revival of *Porgy and Bess* (which earned him a Tony nomination), direction and choreography of touring and revival productions of *The Wiz*, and choreography for *Timon of Athens* in 1993.

From the 1980s onward, Faison's work expanded to include writing, directing, and television, alongside institution-building. He co-produced and wrote the NBC special *Cosby Salutes Ailey*. He became co-founder and producing artistic director of the Faison Firehouse Theatre, a Harlem performing-arts and youth-outreach project housed in a former firehouse—a civic commitment that extends his theatrical career into sustained access and training work for young people.

Career Highlights

1967

Joined Alvin Ailey American Dance Theater, where he danced through 1970. Alvin Ailey Alvin Ailey

1970

Made his Broadway debut as an original dancer in Purlie. IBDB IBDB

1971

Created Suite Otis and Gazelle, works documented in the Ailey repertory. Alvin Ailey Alvin Ailey

1972

Choreographed Don’t Bother Me, I Can’t Cope on Broadway and supplied ensemble movement for Via Galactica. IBDB IBDB

1975

Won the Tony Award and Drama Desk Award for choreographing The Wiz, becoming the first African American winner of the Tony choreography category. IBDB; Tony Awards IBDB

1976

Co-directed and co-choreographed the Broadway musical 1600 Pennsylvania Avenue. IBDB IBDB

1983

Received a Tony nomination for choreographing the Broadway revival of Porgy and Bess. IBDB IBDB

1984

Staged the choreography and musical numbers for the Broadway revival of The Wiz. IBDB IBDB

1992

Directed and choreographed a touring revival of The Wiz. IBDB IBDB

1993

Choreographed the Broadway production of Timon of Athens. IBDB IBDB

By 2026

Served as co-founder and producing artistic director of the Faison Firehouse Theatre and its youth-outreach work. Alvin Ailey Alvin Ailey

Legacy & Impact

Faison matters because his career demonstrates that Black concert-dance experience and Broadway scale need not be separate artistic worlds. His Tony-winning *The Wiz* choreography was a historic institutional breakthrough; *Suite Otis*, *Slaves*, and his Ailey tenure situate him within a modern-dance lineage that continues to shape how choreographers think about character, rhythm, and ensemble. The Faison Firehouse Theatre extends that legacy beyond productions and awards into training, access, and permanent neighborhood arts space—treating education and community as part of a choreographer's responsibility.

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