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Henry Letang

Legend of Dance

1910s

Why They Matter

LeTang’s greatest legacy is transmission. Through decades of teaching, he gave performers rhythmic clarity, stage-ready phrasing and a direct connection to tap’s Black theatrical traditions. His Broadway revues helped place tap history before mass audiences, but his studio work may have had even…

Biography

Henry Christian LeTang was born in Harlem in 1915 to Caribbean immigrant parents—his father from Dominica and his mother from St. Croix. He began tap as a child and built his reputation primarily as a teacher and choreographer rather than as a touring performer. The American Tap Dance Foundation credits him as a "teacher of stars," and his studio shaped the early routines of Maurice and Gregory Hines when they performed as the Hines Kids. His pupils and collaborators included Lena Horne, Betty Hutton, Billie Holiday, Chita Rivera, Ben Vereen, Debbie Allen, Hinton Battle and Savion Glover.

LeTang's Broadway work began in the 1940s. He served as assistant choreographer on *My Dear Public* in 1943 and directed tap routines for *Dream With Music* in 1944. In 1952 he choreographed the Broadway revival of *Shuffle Along*, connecting his career to a foundational African American musical while Eubie Blake remained active.

His most visible period came through revues centered on Black musical and dance history. For *Eubie!* in 1978, he shared movement responsibilities with Billy Wilson, receiving specific credit for choreography and tap choreography—work that earned him a Tony nomination in 1979. On *Sophisticated Ladies* in 1981, Donald McKayle and Michael Smuin handled broader musical staging while LeTang received co-choreography and tap-choreography credit, again earning a Tony nomination.

In 1989, *Black and Blue* celebrated blues, jazz and African American vernacular performance. The choreography Tony was jointly awarded to Cholly Atkins, Henry LeTang, Frankie Manning and Fayard Nicholas, with Dianne Walker credited as assistant choreographer. That collective credit reflects the production's gathering of distinct lineages—tap, jazz, swing and show-business movement—rather than a single authorial vision.

LeTang also contributed tap expertise to film and television, including *The Cotton Club*, *Tap* and the television film *Bojangles*. He continued teaching into old age and received an honorary doctorate from Oklahoma City University in 2002. He died in Las Vegas on April 26, 2007. The American Tap Dance Foundation later inducted him into its International Tap Dance Hall of Fame, reinforcing his standing as both an artist and a transmitter of the form.

Career Highlights

1943

Credited as assistant choreographer on Broadway’s My Dear Public. Source: IBDB. IBDB

1944

Directed tap routines for Dream With Music. Source: IBDB. IBDB

1952

Choreographed the Broadway revival of Shuffle Along. Source: IBDB. IBDB

1978

Created choreography and tap choreography for Eubie! alongside Billy Wilson’s choreography and musical staging. Source: IBDB production record. IBDB production record

1979

Received Tony and Drama Desk nominations for Eubie!. Source: IBDB. IBDB

1981

Received a Tony nomination for his co-choreography and tap choreography of Sophisticated Ladies. Source: IBDB production record. IBDB production record

1984

Contributed tap expertise to the screen world of The Cotton Club. Source: Guardian obituary. Guardian obituary

1989

Shared the Tony Award for Best Choreography for Black and Blue with Cholly Atkins, Frankie Manning and Fayard Nicholas. Source: Tony Awards. Tony Awards

2001

Worked on the television biographical film Bojangles, among his last screen projects. Source: Henry LeTang reference biography. Henry LeTang reference biography

2002

Received an honorary doctorate from Oklahoma City University. Source: Guardian obituary. Guardian obituary

2007

Died in Las Vegas on April 26 at age 91. Source: Washington Post obituary. Washington Post obituary

2015

Inducted posthumously into the American Tap Dance Foundation’s International Tap Dance Hall of Fame. Sources: American Tap Dance Foundation; Tap Dancing Resources index. American Tap Dance Foundation

Works

One stage work credited to Henry Letang.

Credits sourced from Wikidata (CC0), one citation per field. Works without a recorded premiere date are listed last. Titles link to the work in Limelight.

Legacy & Impact

LeTang's greatest legacy is transmission. Through decades of teaching, he gave performers rhythmic clarity, stage-ready phrasing and direct connection to tap's Black theatrical traditions. His Broadway revues helped place tap history before mass audiences, but his studio work may have reached even farther: students carried his timing, drills and performance discipline into musical theatre, film, television and later tap revivals, ensuring his influence extended across generations.

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