History & Cultural Context
Umteyo is a Xhosa "shaking dance" of South Africa, named for its defining movement: a rapid, rippling shake of the torso and upper body (a form of ukutyityimba). Performed by the amaXhosa of the Transkei region in the Eastern Cape, it is danced to vigorous singing, hand-clapping, and percussion, the whole body loosening into the driving rhythm. Like other Xhosa dances it is communal and celebratory, appearing in ceremonies and gatherings, and it is closely related to the broader umxhentso tradition of stamping and shoulder-shaking. Its striking, almost trance-like body articulation made it one of the most recognizable Southern African dances documented by mid-20th-century ethnographers such as Hugh Tracey.
Sources: https://en.wikipedia.org/wiki/Umxhentso ; Hugh Tracey field recordings, "Dances of Southern Africa"
Umteyo Music & Tempo
Drawn from 16 Umteyo tracks in the LODance music library.
Example tracks at practice tempo
- Malayisha I (Hold the sun, so that it sets) — Group of young Gcaleka girls and amakwenkwe
- Amaseyibokwe athengwa ngemali eninzi (For a certain type of socks you pay dearly) — Group of Gcaleka boys and girls
- Nganibonge Amakentani (Please praise the Kentani people) — Thombi Fegetwai and Gcaleka boys and girls
- Mhlahlo dance song — Xhosa girls
- Mama ndaswelindawo ngendaba (Mother, I am short of accommodation on account of the news) — Group of Gcaleka boys and girls
- Umteyo — Xhosa dancers
What to Wear
Attire guidance for Umteyo and other Global African dances. Each card below is sized to the moment — class, practice, social, or competition — because the wardrobe shifts as the stakes do.
Reading the cards
In Class
Loose, breathable clothing that allows full-body movement. Bare feet common in many African dance traditions. Brightly colored fabrics and wraps are welcome.
Social Dancing
Culturally expressive: traditional fabrics (ankara, kente), wraps, and dance-specific attire vary by tradition and community event.
Competition
Performance ensembles in traditional attire specific to the dance's cultural origin. Authenticity and cultural respect are paramount.
Shoes
Many traditions are danced barefoot. When shoes are worn: flexible flat shoes or dance sandals. Some urban styles (Afrobeats) use sneakers.
In Practice
Barefoot in most traditional forms; check with the instructor before assuming. Urban African forms (Afrobeats, kuduro) often use sneakers.
Price Range
- Budget: No shoes needed for most traditional forms; loose breathable clothing from existing wardrobe.
- Mid: Wraps and traditional fabric pieces $30–150 depending on craftsmanship.
- Premium: Authentic ceremonial costumes commissioned through community networks — pricing varies significantly by tradition.
Quick Tips
- •Suede-soled shoes allow controlled sliding and pivoting — essential for most partner dances.
- •Avoid rubber soles on dance floors; they grip too much and can cause knee injuries.
- •Bring a separate pair of clean shoes for the dance floor to keep it in good condition.
Sources & Further Reading
Cultural & Historical Context
Umteyo emerged from South Africa (Xhosa) during the 1800s—present day. Understanding the cultural roots, musical traditions, and social circumstances of this era enriches appreciation for the dance's characteristics and significance.
Primary Source Documents
The Library of Dance contains public-domain primary sources for dance history. Copyrighted modern syllabi are indexed with purchase links to their respective copyright owners. Search by dance name or codifier to discover primary source documents.
Last reviewed: August 2026 — This dance profile synthesizes historical research, cultural documentation, and contemporary practice knowledge to provide authoritative context.
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Global African Warrior, Ceremonial & Urban in art
Browse the gallery →Works from the wider Global African Warrior, Ceremonial & Urban tradition — we have not yet identified enough that depict Umteyo specifically.

The dance
Unknown artist · 2019

The dance
Unknown artist

"Dance to the Talking Drum", 1963 - NARA - 558973
Godfrey A. Okiki · 1963

Ballo degli Ottentoti, 1765 – BEIC IE8955117
Unknown artist · 1765

Costumes de Differents Pays, 'Dansseuse de Loango' LACMA M.83.190.315
Jacques Grasset de Saint-Sauveur (France, 1757-1810), Labrousse (France, Bordeaux, active late 18th century) · 1797

Gullah s carolina 1790
John Rose · 1780

König Munsa tanzt vor seinen Weibern
Unknown · 1874

Seven Years in South Africa, page 169, Kishi dance
Karel Liebscher · 1881

Seven Years in South Africa, page 229, the prophetic dance of the masupias
Unknown · 1881

The Juba Dance
H. Hemlick · 1895

Sacrificial Dance
Robert Gibbings

M0001010: Photograph of three African women dancing
Unknown artist
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